Vinyl

Excursions 3:53
Buggin' Out 3:38
Rap Promoter 2:13
Butter 3:39
Verses From The Abstract 3:59
Show Business 3:53
Vibes And Stuff 4:18
The Infamous Date Rape 2:54
Check The Rhime 3:36
Everything Is Fair 2:59
Jazz (We've Got) 4:09
Skypager 2:13
What? 2:29
Scenario 4:10

The Low End Theory is the second studio album by American hip hop group A Tribe Called Quest, released on September 24, 1991, by Jive Records. Recording sessions for the album were held mostly at Battery Studios in New York City, from 1990 to 1991.

Midnight Marauders Tour Guide 0:45
Steve Biko (Stir It Up) 3:11
Award Tour 3:46
8 Million Stories 4:21
Sucka Nigga 4:05
Midnight 4:25
We Can Get Down 4:19
Electric Relaxation 4:04
Clap Your Hands 3:16
Oh My God 3:29
Keep It Rollin' 3:05
The Chase, Part II 4:02
Lyrics To Go 4:09
God Lives Through 4:15

Midnight Marauders is the third studio album by American hip hop group A Tribe Called Quest, released on November 9, 1993, by Jive Records. Recording sessions for the album occurred at Battery Studios, Platinum Island Studios and Scorcerer Sound in New York City. 

1. Parthenogenesis 02:14
2. Interphase // Meiosis 05:08
3. Extremophiles (B) 05:54
4. The Secular Age 04:36
5. Exothermic Chemical Combustion 04:43
6. Extremophiles (A) 04:02
7. Metaphobia 04:13
8. Tsunami and Submergence 06:26
9. Colors of the Currents 02:38
10. Stellar Tidal Disruption 06:06
11. Apoptosis 10:18

"Dense, stunning, and rewards repeated listening--I like it more each time I listen." Milo Bloom

1. Thousand Lakes 2:03
2. Into Hiding 3:46
3. The Castaway 5:33
4. First Doom 3:52
5. Black Winter Day 3:51
6. Drowned Maid 4:23
7. In The Beginning 3:38
8. Forgotten Sunrise 4:54
9. To Fathers Cabin 3:50
10. Magic And Mayhem 4:28

Tales from the Thousand Lakes is the second full-length album by metal band Amorphis. It is a concept album, the lyrics are based on the Finnish national epic, Kalevala. 

1. Floating In Delirium 03:35
2. Synthesized Instinct 04:02
3. Static Shattering 04:11
4. Estranged From Orbit 05:13
5. Infrared Horizon 06:06
6. Anchored To The Inlayed Arc 03:48
7. Mist Like Mercury 05:16
8. Vacant Explorer 05:30
9. Graveyard Of Lightless Planets 05:42
10. Ash Eclipse 04:22

With their second full-length album “Infrared Horizon”, NY-based death metal band ARTIFICIAL BRAIN have created a sophomore release more advanced than their lauded debut album “Labyrinth Constellation”. By taking their brand of singular brutal guttural yet technical and ambient sci-fi death metal to a new galaxial plateau, “Infrared Horizon” sees the sonic architecture laid down by the band go further into the beyond and infinite.

Conceived in 2011 by guitarist Dan Gargiulo (Revocation) and vocalist Will Smith (ex-Biolich), the band would be rounded out by bass player Samuel Smith (Luminous Vault), guitarist Jon Locastro, and drummer Keith Abrami. The band would align themselves with Profound Lore Records and drop their debut album “Labyrinth Constellation” in 2014 to wide praise within the circles of death metal that range from accolades from within technical, dark, guttural, and progressive death metal respectively. Along with decent touring around “Labyrinth Constellation”, the band would also have their music played and were even name dropped on multiple occasions in the popular CBS television shows Elementary and Limitless.

Once again produced by Colin Marson (Gorguts, Dysrhythmia, Krallice) at The Thousand Caves, “Infrared Horizon” (featuring art by Adam Burke) sees ARTIFICIAL BRAIN traveling towards a sonic realm where the music has become more brutal and dissonant, technical, atmospheric, and just overall more otherworldly. Delving into the lyrics and themes of “Infrared Horizon”, themes such as dealing with the concept of a dystopian future in which robots and cyborgs have outlived human beings. Robots and Cyborgs who believe themselves to be not of creation of the long extinct humans but a more perfect evolution of them. The scenarios take place all over outer space and on unnamed planets (not necessarily Earth).

1. Reaching Perfection
2. Tasting Death
3. A Prison
4. A Release
5. Drown In Duress
6. Massive Wash Of Cowardice
7. Acceptance
8. Dirt & Suffering
9. Painted With A Broken Hand
10. Goddamn This Waiting
11. Needles & Blood

At The Heart Of The World’s new album, Reaching Perfection, Tasting Death, is the second chapter of their nihilistic manifesto, documenting their ongoing sonic metamorphosis, and further cementing them as masters of industrial metal alchemy. With this misanthropic sermon, these warrior cenobites spit words of pain into the blank faces of the complacent and self-righteous mob. Equal parts kinetic melody and crushing violence, the album explores a wide range of attitudes, from the dual title tracks’ distorted crunch and blasts of percussion, to the vicious melancholy of “A Prison.” The malcontent dirge of “Massive Wash Of Cowardice,” paints a portrait of self-loathing torment while the spiteful fury of “Dirt & Suffering” redirects that hatred out into world.

Since the release of 2018’s Rotting Forms, At The Heart Of The World have sequestered themselves in a dungeon of electronic noise and analog riffs, perfecting their sound. Now, these impious acolytes of misery are declaring total war on the oppressive banality of life, emerging to wield their newly forged aural truncheons against the vulnerable eardrums of the masses, and with the release of Reaching Perfection, Tasting Death, these raiding parties will only grow in frequency and ferocity.

1. Stygian I: From Tumultuous Heavens… (Descended Forth The Ceaseless Darkness) 16:28
2. Stygian II: In Ageless Slumber (As I Dream In The Doleful Embrace Of The Howling Black Winds) 04:54
3. Stygian III: Perennial Voyage (Across The Perpetual Planes Of Crying Frost & Steel-Eroding Blizzards) 23:17

From the frozen northlands Atramentus unveil the icebound agony of the monolithic ‘Stygian’. Birthed on a cold winter night in 2012 and during an autumnal sunset in 2013, the cursed tale remained dormant for years, only recently being put to tape so the nameless knight’s saga could be told.

Granted immortality through the gift of the God’s sword, the nameless knight eventually witnesses the death of the sun and the end of all life on Earth. Surviving the great deluge, he is left to wander amongst the ruins of a now frozen earth under a sunless sky for eternity, alone and unable to die even by the scorching-cold blizzard winds around him, enduring perpetual physical torture while haunted by the memories of his past life and everyone he once knew buried under miles of ice.

Each of the three epic songs contained within differ widely to reflect the changing of autumn to perpetual winter. While adorned in the language of Extreme Funeral Doom and Dark Ambient soundscape, Atramentus owe further debt to Epic Doom Metal in sound and aesthetic and Black Metal’s anguished ferocity. But always the arc of Atramentus remains bound to the tumultuous melancholy and guttural immensity of Extreme Doom.

1. Retribution for the Dead
2. Destined to Fester
3. In the Grip of Winter

Retribution for the Dead is an EP by the American death metal band Autopsy. It was released in 1991 by Peaceville Records. It features two songs which were re-recorded for the Mental Funeral album - the title song is exclusive to this EP.

1. Shift I
2. Fear And Impulse
3. Sovereign
4. Solipsism
5. Parasitic Eye
6. Faith
7. Ravine
8. Consume
9. Soma
10. The Altruist
11. Shift II
12. Tightrope

"Shift" is the second full-length from Florida's metalcore masters Axis. These tracks channel the power of noisy and chaotic '90s bands like Coalesce, Threadbare and Kiss It Goodbye while keeping pace with current heavyweights like Vein and Code Orange.

1. Graze The Fire
2. Discouraged
3. Transgression
4. Show Your Greed
5. Burn (Eradicate)
6. Sincerity
7. Crippled Man
8. Badge Licker
9. With Silence
10. With Grace

Axis has been a band for five years, with just an EP and two splits to show for it until now. "Show Your Greed" is their debut full-length, and finds the band honing their sound, bringing a hard, heavy and chaotic brand of metallic hardcore played with the same power and technicality of '90s favorites like Turmoil, Kiss It Goodbye and Converge.

1. Rays On Pinion 07:35
2. The Birthing 05:03
3. Isak 04:22
4. Wailing Wintry Wind 05:54
5. Cockroach En Fleur 01:50
6. Wanderlust 04:29
7. Aleph 04:21
8. Teeth Of A Cogwheel 02:16
9. O'Appalachia 02:36
10. Grad 05:54

Savannah, Georgia's Baroness blow the lid off their cauldron of hall of fame riffs on their first record for Relapse and debut full-length titled Red Album. With a sound built upon a resolute sense of purpose and shaped by hundreds of explosive live shows, Baroness position themselves at the forefront of heavy music with an epic album that is at once powerful, expressive, confident, and commanding. Red Album sees the band expand its sonic vision; colossal riffs and haunting vocals roll like thunder across epic songs spanning both the intense and the sublime. As the Red Album proves, Baroness' formidable reputation proceeds them for a reason.

1. Yellow Theme 01:44
2. Take My Bones Away 04:59
3. March to the Sea 03:11
4. Little Things 05:03
5. Twinkler 03:16
6. Cocainium 05:08
7. Back Where I Belong 06:15
8. Sea Lungs 03:21
9. Eula 06:47
10. Green Theme 04:22
11. Board Up the House 04:33
12. Mtns. (The Crown & Anchor) 04:17
13. Foolsong 02:57
14. Collapse 03:51
15. Psalms Alive 04:08
16. Stretchmarker 03:23
17. The Line Between 05:02
18. If I Forget Thee, Lowcountry 02:42

Baroness' Yellow & Green finds a band that has developed into more than just giants of the metal underground, they are now fully formed hard rock titans. Fans of the band have come to expect nothing less than constant evolution from Baroness and that is precisely what the band has delivered, but in ways noone could have anticipated: the hooks are immediately seared into your brain, riffs that take just one listen to fully lodge themselves in your consciousness and vocals that are sung both heavily and beautifully. Some songs are more delicate than Baroness ever hinted to before while others are straight up arena rockers—yet all along Yellow & Green is unmistakably the Baroness that the world has come to love and look to for Record Of The Year quality rock and roll. It’s not hard to imagine any one of the 18 songs that fill out the Yellow & Green 2CD/2LP being rock radio anthems, and deservedly so. At no risk of hyperbole Baroness’ ‘Yellow & Green’ is on a very short list as one of the new millennium’s best rock records.

1. Meaningless Measures
2. Magic
3. Strength For Breath
4. Tiny Little Pieces
5. Morning Light
6. The Weight And The Cost
7. Each Passing Day
8. Frozen
9. Aperture
10. Longing
11. Confessional

Be Well is a new band with deep roots. The members include Peter Tsouras (guitar) and Shane Johnson (drums) from Fairweather, Mike Schleibaum (guitar) of Darkest Hour, and Aaron Dalbec (bass) from Bane. Rounding out the quintet is the vocalist, Brian McTernan, who is known for his production work with bands like Circa Survive, Hot Water Music, Turnstile, and Thrice. 

1. Rhymin’ & Stealin’ 4:08
2. The New Style 4:35
3. She’s Crafty 3:36
4. Posse In Effect 2:27
5. Slow Ride 2:56
6. Girls 2:14
7. Fight For Your Right 3:28
8. No Sleep Till Brooklyn 4:07
9. Paul Revere 3:42
10. Hold It Now, Hit It 3:29
11. Brass Monkey 2:38
12. Slow And Low 3:37
13. Time To Get Ill 3:37

Licensed to Ill is the debut studio album by American rap rock group Beastie Boys. It was released on November 15, 1986, by Def Jam and Columbia Records, and became the first rap LP to top the Billboard album chart

1. To All The Girls 1:20
2. Shake Your Rump 3:19
3. Johnny Ryall 3:00
4. Egg Man 2:57
5. High Plains Drifter 4:13
6. The Sounds Of Science 3:11
7. 3-minute Rule 3:39
8. Hey Ladies 3:47
9. 5-piece Chicken Dinner 0:23
10. Looking Down The Barrel Of A Gun 3:28
11. Car Thief 3:39
12. What Comes Around 3:07
13. Shadrach 4:07
14. Ask For Janice 0:11

Paul's Boutique is the second studio album by American hip hop group Beastie Boys, released on July 25, 1989 by Capitol Records. Produced by the Dust Brothers, the album is composed almost entirely from samples, and was recorded over two years at Matt Dike's apartment and the Record Plant in Los Angeles.

1. Void Mother
2. Children Of The Atom Bomb
3. Forever Animal
4. Red Majesty

"This is a very good EP, a worthy companion to Climax from a band with a mix of styles yet still a style of their own." - Dr. Lab Rat

1. The Wind Blows Through Their Skulls 02:18
2. Blood (Under The Mill) 03:34

"Raw-edged but the brilliance is there, beating at the mag-tape cocoon. I actually like the B-track best on this one, along with the sample cut-ups at the end." - Dr. Lab Rat

1. Transylvanian Forest 5:35
2. Moonspell Rites 6:01
3. Sventevith Storming Near The Baltic 5:59
4. Pure Evil And Hate 3:08
5. Forgotten Empire Of Dark Witchcraft 4:11

And the Forests Dream Eternally is the debut EP by Polish extreme metal band Behemoth. It was released in August 1995, through Italian label Enthopy Records. The EP was recorded in July 1994 in Warrior Studio. "Pure Evil and Hate" is a tribute to Bathory.

1. Intro 1:35
2. The Dark Forest (Cast Me Your Spell) 7:06
3. Spellcraft And Heathendom 4:50
4. Dragon's Lair (Cosmic Flames And Four Barbaric Seasons) 5:56
5. Lasy Pomorza 6:26
6. Rising Proudly Towards The Sky 6:53
7. Thou Shalt Forever Win 6:37
8. Grom 5:28

Grom is the second studio album by Polish extreme metal band Behemoth. It was recorded and mixed from December 1995 to January 1996 and was originally released in January 1996 through Solistitium Records, and later by Pagan Records. The album is Behemoth's last release before their shift into a death metal sound.

1 Diableria (The Great Introduction) 0:50
2 The Thousand Plagues I Witness 5:15
3 Satan's Sword (I Have Become) 4:17
4 In Thy Pandemaeternum 4:49
5 Driven By The Five-Winged Star 5:03
6 The Past Is Like A Funeral 6:41
7 The Entrance To The Spheres Of Mars 4:47
8 With Spell Of Inferno 4:38
9 Chwała Mordercom Wojciecha 4:42

Pandemonic Incantations is the third studio album by Polish extreme metal band Behemoth. The album was recorded during August and September 1997, at Selani Studio and was mixed in October 1997.

1. Chant of the Eastern Lands
2. The Touch of Nya
3. From the Pagan Vastlands 
4. Hidden in a Fog 
5. Ancient
6. Entering the Faustian Soul 
7. Forgotten Cult of Aldaron 
8. Wolves Guard My Coffin 
9. Hell Dwells in Ice 
10. Transylvanian Forest 

Sventevith (Storming Near the Baltic) is the debut studio album by Polish extreme metal band Behemoth. It was released in April 1995 by Pagan Records. It has since been re-released through numerous other labels. The album inside cover artwork shows The Temple of Swarog by Stanisław Jakubowski.

1. Antichristian Phenomenon
2. The Act of Rebellion
3. Inflamed with Rage
4. ΠΑΝ ΣΑΤΥΡΟΣ
5. Natural Born Philosopher
6. Christians to the Lions
7. Inauguration of Scorpio Dome
8. In the Garden of Dispersion
9. The Universe Illumination (Say 'Hello' to My Demons)
10. VINVM SABBATI
11. 23 (The Youth Manifesto)
12. The End

Thelema.6 is the fifth album by extreme metal band Behemoth. The album was recorded and mixed at the Hendrix Studios in Poland in July and August 2000 and was then mastered at the High-End Studio in Warsaw, Poland in 2000.

A1 Only Time Will Tell...
A2 Sometimes
A3 Winding Down
A4 Look Into Myself
A5 Tomorrow
B1 Ssshhh!
B2 Poison
B3 Sequel
B4 Something Beyond
B5 It's In My Blood

1. Ontogenesis
2. Emergence
3. Vision
4. Creation
5. Attainment
6. Salvation
7. Erasure

Formed in 2013, the band plays atmospheric black metal, but with an animalistic quality, which lend itself well due to the fact that Vultuur (vocals) wears a giant bird skull during live rituals. "The Alchemist's Vision" follows their previous release, a split with fellow Texans Haunter, and with the shifting of songwriting responsibilities to guitarist Theia Mania, the band have honed their latest offering giving both melody and rawness to their output, creating something that is uniquely theirs.

1. Finally Dead Once More 01:06
2. Lifelong Death Fantasy 02:29
3. Realm Of Silence 02:17
4. Suffer Now Suffer Later 01:51
5. Nightmares Forged In Blood 03:12
6. Choose Your Own Extinction 01:41
7. Perpetually Finite 01:56
8. Mechanized Decomposition 03:26

BLEEDING OUT are a deathgrind band from Toronto, Canada. And yet behind this seemingly banal statement lurks a far more seething and violent musical truth. Yes, BLEEDING OUT are a band with a relentless array of face-melting riffs; everything from blasting early-Earache buzzsaws to reptile brain, slow skull smashers. BLEEDING are a band that is possessed by power, fury and a violent need to explode on stage and on record rather than wallow in tepid genre identification and weak posturing.

1. Thing From the Grave
2. Slaughter Shed
3. Murderous Amputee
4. The Man Who Was Death
5. Maniac At Large
6. Mutilate The Living
7. Rotten Grin
8. Vehicular Homicide
9. Human Hatred Overdose
10. M.F.C
11. Gore Creator
12. A Mute Witness to Murder
13. Bone Sickness

After years of quiet and safety on earth, the deranged freaks in Olympia, Washington's Bone Sickness re-emerged last year with a new tape of 13 gore soaked nightmare visions of Ungodly-Sick-Death-Grind titled "Theater of Morbidity". Hell Massacre Label is pleased to make this new masterpiece of terror and torment available on a proper 12” LP. Expect the putrified sounds of Repulsion, Autopsy, and Terrorizer. No triggers, no quantizing, no tech shit. Real brutality, real death metal. Limited to 500 copies on green vinyl.

*PLEASE NOTE: THIS IS A PRE-ORDER PRODUCT ESTIMATED TO SHIP ON OR AROUND JULY 16, 2021. IF THIS PRODUCT IS IN YOUR ORDER, YOUR ENTIRE ORDER WILL NOT SHIP UNTIL IT IS AVAILABLE.*

1. Monastery
2. Centuries Asleep
3. Bottomless
4. The Talking Mask
5. Ash
6. Losing Shape
7. Loveless Reign
8. Vestige
9. Cradling Obsessions
10. Hell Vacation (CD & Digital Bonus Track)

Bottomless’ self-titled debut album, first opus from the Italian band featuring members of Messa and Assumption.

BOTTOMLESS plays nothing but unadulterated Doom Metal in the vein of the ancient masters, a slow and fervent display of Heavy Metal and dusty riffs.

Also, the cover artwork lays bare the spirit of the olden days with a painting of Henri-Joseph Harpignies, French painter of the 19th Century also known as the ‘Michelangelo of trees’.

For fans of Black Sabbath, Pentagram, Saint Vitus, Trouble, The Obsessed

Album Credits:
Mixed and Mastered at Mal De Testa Studio by Bottomless and Daniel Grego
Cover Painting by  Henri-Joseph Harpignies
Artwork by Devilsindetails
Logo by Sandro Di Girolamo

LP DETAILS:
‘Pitch Black’: Gatefold 180g Black LP, limited to 400 copies
Includes Download Code

1. Morgue Ritual 3:29
2. Circle Of Morbidity 2:39
3. Feed The Pigs 3:13
4. Final Fight 2:40
5. Deathmachine 3:22
6. Reborn 3:33
7. The Pestilence 2:37
8. Edder & Bile 2:32
9. Years Of Nothing 3:20
10. Let Me Burn 4:08

Emerging from the fertile maelstrom of the late ‘80s metal underground, CADAVER were among the first Norwegian extreme metal bands to gain any recognition away from their homeland. With a sound that mixed the raging brutality of POSSESSED and DEATH to a distinctly Norwegian sense of discord and disquiet, Odden and his teenage band mates secured a deal with Earache Records sub-label Necrosis and released their debut album Hallucinating Anxiety in 1990 (initially as a split with Swedish kindred spirits CARNAGE). A more progressive and adventurous but no less vicious follow-up, ...In Pains, arrived in 1992: but for all their momentum and unique, malevolent charm, the first CADAVER line-up was ultimately doomed to disintegrate barely a year later. Nonetheless, their status as cult heroes was beyond dispute.

1. Super-Stare 04:01
2. Win Free Love 01:42

"Super-Stare" is agoraphobia rather than claustrophobia. The ultimate trip; the song is a journey into a testing ground in which each living thing tries every day not to be eaten. As it unravels, the listener grows oppressed by the great weight of the music around them and gradually loses confidence in orderly civilization." - CANDY

CANDY celebrate their signing to Relapse Records with the release of "Super-Stare". The two-track 7" offers a glimpse into the critically acclaimed band's pulverizing take on the genre ahead of their highly anticipated full-length. "Super-Stare" is a synthesis of where aggressive music should be. Hardcore has reached a crossroads with Metal, a place where lyrical discourse and impassioned screaming is as important as the memorable riffs and pounding rhythms highlighting CANDY's music.

CANDY are poised to create a space of their own; a space where underground Punk and Metal's narratives truly reverberate with those who seek catharsis and meaning.

1. Through the Black Veil of the Burgo Pass 02:20
2. Bloodlust and Perversion 04:10
3. Return of the Freezing Winds 03:56
4. The Woods of Wallachia 03:27
5. Wings over the Mountain of Sighisoara 04:02
6. Journey through the Cold Moors of Svarttjern 05:21
7. The Eclipse - The Raven 03:30
8. The Last Sigh of Nostalgia 08:02
9. Carpathian Forest 03:18
10. Call from the Grave 04:56
11. Return of the Freezing Winds 04:18
12. In the Circle of Ravens 06:48
13. Warhead 04:24

Throughout their long history, Carpathian Forest have covered a wide range of sonic territory. This double LP collects the earliest demo material that the band released, and it is easily among their best output. Despite the fact that they were all released nearly contemporaneously, the two demo recordings and a studio rehearsal on this compilation – “Bloodlust and Perversion” (1992), Rehearsal (1992), and “Journey Through the Cold Moors of Svartjern” (1993) – cover a vast spectrum within the Black Metal genre. The tracks on the “Bloodlust and Perversion” demo are predominantly mid-paced and, at times, even doomy evoking a sound more akin to Samael, Hellhammer or even Goatlord. The atmosphere that Carpathian Forest attains with this sound is distinct from those or any other band’s output, however. While more sludgy and visceral than much of the Norwegian Black Metal of that era, Carpathian Forest still manage to create the sense of isolation and solitude characteristic of the Norwegian landscape that is so often associated with that region’s output in the early 1990’s. The “Journey Through the Cold Black Moors of Svartjern” is even more atmospheric in that it eschews most of the traditional elements of metal in favor of a pure descent into the sensory realms. The first track is a keyboard-laden, militant dirge that, but for the vocals, could nearly be characterized as dark industrial or neofolk. The two tracks that follow are even more folkloric. This sound, while uncharacteristic of most of Carpathian Forest’s work before or since, is arguably some of their darkest and most melancholic work. This demo recording reveals that much of what is relevant and intriguing about Black Metal is the atmosphere of the music rather than the aggression that is often associated with it. The last tracks on this compilation, however, show that Carpathian Forest were equally adept at channeling the aforementioned aggression inherent in Black Metal. These tracks, taken from the obscure rehearsal recording from 1992, are predominantly primitive Black Metal as one would expect. More furious and raw than the other two demos, these tracks are a step closer to the sound evolving in Norway during the rise of the second wave of Back Metal. Carpathian Forest’s style on this recording is not quite fully realized, however, and the band seems to rely heavily upon the first wave bands that inspired them. Indeed, this demo features cover tracks by both Bathory and Venom as well as stylistic nods to Hellhammer/Celtic Frost. Overall, these early recordings capture not only a band in the process of defining its own style, but of the emergence of an entire genre of music and the diverse potential inherent within it.

1. Vile Yolk of Contagion 05:32
2. Spewing Purulence 05:37

2 song promotional release for Cerebral Rot's 2nd full length album.

1. Impact 02:53
2. Too Deep Until Now 02:28
3. The Space Between 01:32
4. Through These Eyes 01:44
5. Hurts To Ask 01:41
6. True Till Death 02:23
7. Just How Much 01:56
8. There Is A Difference 02:47
9. Never Understand 02:18
10. Let Down 01:44
11. Best Of Times 01:53

From the opening track "Impact" to the mid-album masterpiece "True Till Death", and finishing off with the album closer "Best of Times, The One Thing That Still Holds True is a very solid release that packs a hard-hitting hardcore wallop that is over in just under 24 minutes. The album opens with the aforementioned mid-tempo "Impact", but the remainder of the album is a nonstop punch of meaty hardcore that does not let up. The lyrical themes of the album are standard hardcore fare about unity, the hardcore scene, and straight edge, but they are executed in song exceptionally well.

1. Confusion Hath Fuck His Masterpiece 06:44
2. The Mutes Have Begun to Speak 06:11
3. Four Cubits and a Span 03:34
4. The Dead Who Climb Up to the Sky 07:00
5. Hollow Feeds the Emptying Death 04:40
6. Escape! Harmony is Disclosure 05:55
7. I've Got a Gut Feeling (Devo) 07:26
8. With Every Wrist Outstretched 07:07
9. And Every Sword Unsheathed 05:05
10. I Will Possess Your Heart 05:32
11. Out, Brief Candle 08:14
12. Genesis of the Daffodil 07:41

A double LP housed in a trifold sleeve with new art from Blial Cabal, this is a collection of all of our previous works.

1. Cavity - First Communion 04:07
2. Figurative Theatre 02:41
3. Burnt Offerings (free) 03:43
4. Mysterium Iniquitatis 02:46
5. Dream for Mother 03:19
6. Stairs - Uncertain Journey 03:06
7. Spiritual Cramp 02:55
8. Romeo's Distress 03:16
9. Resurrection - Sixth Communion 03:45
10. Prayer 02:42
11. Deathwish (Bonus) 02:14
12. Romeo's Distress (Bonus) 03:22
13. Dogs (Bonus) 02:53
14. Spiritual Cramp (Bonus) 03:21
15. Desperate Hell (Bonus) 04:24
16. Cavity - First Communion (Bonus) 03:47

" One of the most important albums in the history of goth. Nothing compares." -musicthatslaps

1. Faded Now 3:54
2. You're No Good (Club Mix) 7:47
3. Twist The Knife (8 Track Version) 3:19
4. Street Lights 3:06
5. I Want To Be Alone 3:46
6. Touch Red (On Film) 4:01
7. Nocturne 2:13
8. Wishing Well (Alternate Version) 2:36
9. The Runner 3:25
10. Burning Bridges 1:55
11. Stiff As A Board 4:18
12. The Sound Of Silence (On Film) 2:51
13. Bloody Mary 1:06
14. Move A Mountain (On Film) 3:14

1. Death Dance Approximately 04:07
2. I Want to Kill You 03:12
3. Blue Sunday 03:52
4. Thin Air 03:03
5. Call Your Bluff 03:25
6. Pedestal 03:12
7. Fight Beat 02:52
8. Black and Red 02:52
9. Glass World 03:24
10. Winter Buds 04:08
11. Edge of the World 03:27

Citizen have always eluded definition. The Toledo, Ohio-based three-piece have been making dynamic, wide-ranging guitar music for over ten years, challenging expectations with each new album and refusing to fit neatly in a box. On their fourth full-length, Life In Your Glass World, Citizen have crafted their most singular work to date completely on their own terms—proving that only the band themselves can define their identity.

Since forming in 2009, Citizen—vocalist Mat Kerekes, guitarist Nick Hamm, and bassist Eric Hamm—have endlessly pushed themselves with each successive release, actively resisting the comfort zones that often plague bands as they grow. The band has fearlessly taken risks with their sound on each new album, and shown themselves capable of exploring impassioned post-hardcore, raw noise rock, shimmering indie pop, anthemic alternative, and more—often on the same album, and sometimes even the same track. But growth isn’t always painless, and the band has been navigating the fraught music industry from a young age—learning as they went and sometimes feeling pulled in different directions at once.

When it came time to make Life In Your Glass World, Citizen’s need to continue moving forward creatively went hand in hand with their desire to be fully in control of their creative destiny. Nick Hamm explains: “I don’t have a lot of regret but there have definitely been times when we felt powerless during the band’s existence. This time we really owned every part of the process. It’s easy to feel like you’re on autopilot when you’re in a band, but that’s not a good place to be this far into our existence. We consciously knew we wanted to break free.”

For Citizen that meant taking the entire album-making process home to Toledo (the Glass City) and creating everything in-house. Kerekes built a studio in his garage, a project that was both empowering and practical. “It’s super easy and convenient,” he says. “But I also felt like building the studio was a way to prove we don’t need anything but ourselves.” Hamm adds, “This is the first self-sufficient Citizen record. There was no pressure at all and moving at our own pace allowed the songs to be a little more fleshed out.” The looser recording process afforded the band time to focus on each song’s individual mood, making their signature blend of aggression and melody all the more pronounced, and even capturing appealing imperfections. The result is an album that represents the members’ vision in its purest form, something that feels distinctly Citizen while also marking the start of a fresh chapter.

One of the most immediately striking elements of Life In Your Glass World is the band’s attention to rhythm. Many of the songs feature undeniably danceable beats and sharply grooving guitar lines, which give both the barnburners and the brooding atmospheric tracks a pulsating heart. “When you write songs the same way for X amount of years, you start to want to try something new,” Kerekes says. “These songs were mostly built from drums and bass first, which was different for us. I’d start with a completely different beat every time to get a certain energy.” The band’s desire to assert themselves is palpable both in the music and Kerekes’ lyrics, mirroring not only their creative frustrations but also a long year of personal upheavals. “There’s a lot of anger in these songs and we wanted the music to communicate that,” Hamm says. “I think a lot of people expect bands to slow down or chill out when they get to where we are, but we consciously didn’t want to do that.”

The opening one-two punch of “Death Dance Approximately” and “I Want To Kill You” exemplifies the acerbic-yet-buoyant feel of Life In Your Glass World, and the latter sums up the album’s defiant themes. Kerekes puts it plainly: “Sometimes you feel like you’re being used. A lot of the lyrics are liberating, they’re reclaiming control.” The band wastes no time in showing their range, pivoting to the melancholy haze of “Blue Sunday” and the bounce of “Thin Air,” both of which meditate on the struggle to invest so much in something only to be let down and retreat inside oneself instead. Elsewhere tracks like “Call Your Bluff” and “Black and Red” showcase Citizen’s knack for big choruses, while “Pedestal” features towering drums and a distorted bass line that’s as malevolent sounding as Kerekes’ vitriolic words. “Fight Beat,” with its tense mix of otherworldly menace and memorable hooks, takes the band’s rhythmic-centric writing to its furthest point yet; lyrically, the song grapples with the realization that one has passed a point of no return, a sentiment that permeates the attitude of Life In Your Glass World. “This isn’t a baby step,” Hamm says. “It’s exactly what we want to do.”

Much of Life In Your Glass World deals with the bleak and challenging aspects of being human, and the album often feels like an exorcism of pent up negative feelings. But those feelings give way to a sense of hope with the closing track “Edge of The World.” Interweaving guitars rise around Kerekes’ voice as he considers past pain with the kind of clarity that can only come from time and distance—and finds promise in looking towards the future. The song builds to a soaring finale as the clouds part and Kerekes declares, “At the end of the day there was beauty in tragedy.” It’s one last turn, the kind of affirmation that makes you reexamine everything you just heard with a newfound perspective. It’s a fitting conclusion for Life In Your Glass World – borne of the confidence gained through years of trials, tribulations, and self reflection – and one that asserts that Citizen’s true identity is rooted in the raw energy of constant evolution.

1. Intro 
2. Say the Name 
3. Wytchboard (Interlude) 
4. '96 Neve Campbell (feat. Cam & China) 
5. Something Underneath 
6. Make Them Dead 
7. She Bad 
8. Invocation (Interlude) [with Greg Stuart] 
9. Pain Everyday (with Michael Esposito) 
10. Check the Lock 
11. Looking Like Meat (feat. Ho99o9) 
12. Drove (Interlude) 
13. Eaten Alive (with Jeff Parker & Ted Byrnes) 
14. Body for the Pile (with SICKNESS)
15. Enlacing 
16. Secret Piece

In the horror genre, sequels are perfunctory. As the insufferable film bro Randy explains in Scream 2, “There are certain rules that one must abide by in order to create a successful sequel. Number one: the body count is always bigger. Number two: the death scenes are always much more elaborate—more blood, more gore. Carnage candy. And number three: never, ever, under any circumstances, assume the killer is dead.” Last Halloween, Los Angeles experimental rap mainstays Clipping ended their three-year silence with the horrorcore-inspired album There Existed an Addiction to Blood. This October, rapper Daveed Diggs, and producers Jonathan Snipes and William Hutson return with an even higher body count, more elaborate kills, and monsters that just won’t stay dead.

1. Where Are They Now
2. Riot Squad
3. Working
4. Take 'Em All
5. We're Coming Back
6. Watch Your Back
7. I Got Your Number
8. Secret Army
9. Droogs Don't Run
10. Out On An Island

"Shock Troops" is the debut album by punk rock band Cock Sparrer released in 1982 on Razor Records. Now available through Pirates Press Records, this pinnacle record is something that should be available and affordable to everyone looking to invest in some punk roots. For the kids... a true punk classic.

1. Conjurer - Blood and Thunder (Mastodon)
2. Conjurer - Vermillion (Slipknot)
3. Palm Reader - Tire Me (Rage Against The Machine)
4. Palm Reader - Circles (Thrice)

There are numerous examples throughout history of cover songs revamping genre classics, whether it be with a modern and contemporary twist, or just paying tribute to an old favourite. With this in mind, over at Holy Roar HQ, we’re beaming with excitement to announce that Conjurer and Palm Reader have teamed up for a split release.

Boasting four tracks with two covers each, both bands tactfully pay tribute to some of the acts that introduced them to heavier sounds whilst simultaneously imprinting their own distinctive brands of noise to their selected songs. Conjurer tackle Slipknot’s ‘Vermillion’ and Mastodon’s ‘Blood and Thunder’ with blood thirsty metallic zeal, whereas Palm Reader caustically make Rage Against The Machine’s ‘Tire Me’ and Thrice’s ‘Circles’ entirely their own.

It’s sometimes easy to forget that outside of their respective discographies and relentless touring, both sets of musicians are first and foremost ardent heavy music fans. If nothing else, this small but mighty collection of covers is built precisely with the purpose of reimagining and recapturing that first listening experience of a beloved song.

1. Consumed 07:25
2. Breaking the Broken 05:40
3. Expect the Unexpected 07:16
4. What If... 04:29
5. When the Link Becomes Missing 05:15
6. Believe 06:09
7. Cut Down 04:50
8. The Fragile Art of Existence 09:38

CONTROL DENIED, the progressive heavy metal brainchild of legendary DEATH mastermind Chuck Schuldiner, released its first and only album The Fragile Art Of Existence (1999) to massive critical acclaim. The Fragile Art Of Existence is the sound of traditional metal stepping into a new century; an album where the experiences and inspirations of trail-blazing, world-class musicians coalesced under the watchful eye of one of the genre's master craftsmen.
Now available for the first time ever as an official vinyl release, The Fragile Art Of Existence has been remastered and beautifully repackaged.

01. Permanent Blue
02. Churches & Jails
03. Melancholia
04. Beautiful Ruin

“Beautiful Ruin” is a new four song release from Converge. Recorded during “The Dusk In Us” sessions, this completes the release of all their recorded material from that time period. Each song is a staccato burst of emotion from a Converge at their most raw. Viciously precise yet alluringly out of control.

1. Downpour 02:41
2. Flowers And Razorwire 05:03
3. Tremor 01:02
4. Homesong 05:58
5. For You 02:38
6. Jacob's Ladder 03:59
7. Undo 02:19
8. Towing Jehovah[Demo] 02:11
9. The High Cost Of Playing God [Demo] 05:06
10. When Forever Comes Crashing [Demo] 03:06
11. The Year Of The Swine [Demo] 03:38
12. Letterbomb [Demo] 03:02
13. Locust Reign [Live] 01:40
14. This Is Mine [Live] 01:44

"Unloved and Weeded Out", is a collection of 14 rare, out of print, and sought after early tracks from the band. All of the songs were remixed and remastered by Kurt Ballou at God City Studios. Clocking in at just over 40 minutes, this rare material is essential to the ever growing Converge catalog.

Side A

1. Tank!
2. Rush
3. Spokey Dokey
4. Bad Dog No Biscuits
5. Cat Blues

Side B

1. Cosmos
2. Space Lion
3. Waltz for Zizi
4. Piano Black
5. Pot City

Side C

1. Too Good Too Bad
2. Car 24
3. The Egg And I
4. Felt Tip Pen
5. Rain
6. Digging My Potato
7. Memory

Side D

1. What Planet Is This?
2. Diamonds
3. Mushroom Hunting
4. Einstein Groovin’
5. Pearls

The legendary original soundtrack to Cowboy Bebop is finally available on vinyl! The Bebop crew is just trying to make a buck. This motley lot of intergalactic loners teams up to track down fugitives and turn them in for cold hard cash. Spike is a hero whose cool façade hides a dark and deadly past. The pilot Jet is a bruiser of a brute who can t wait to collect the next bounty. Faye Valentine is a femme fatale prone to breaking hearts and separating fools from their money. Along for the ride are the brilliant, but weird, hacker Ed and a super-genius Welsh Corgi named Ein. On their own, any one of them is likely to get lost in the sprawl of space, but together, they re they most entertaining gang of bounty hunters in the year 2071. Composed and performed by Yoko Kanno and the band SEATBELTS, the music of Cowboy Bebop is one of the signature elements of the series. The energetic jazz-infused pieces rip and roar across the stars and are as indispensable as the crew of the Bebop themselves.

1. Once Upon Atrocity
2. Thirteen Autumns and a Widow
3. Cruelty Brought Thee Orchids
4. Beneath The Howling Stars
5. Venus in Fear
6. Desire in Violent Overture
7. The Twisted Nails of Faith
8. Bathory Aria
-"Benighted Like Usher
-"A Murder of Ravens in Fugue
-"Eyes That Witnessed Madness
9. Portrait of the Dead Countess
10. Lustmord and Wargasm (The Lick of Carnivorous Winds)
11. Hallowed Be Thy Name (Shallow Be My Grave) (Iron Maiden cover)

Cruelty and the Beast is the third studio album by English extreme metal band Cradle of Filth. It was released on 5 May 1998 by record label Music for Nations. A remixed and remastered edition was released in November 2019.

1. The Cult of Venus Aversa
2. One Foul Step from the Abyss
3. The Nun with the Astral Habit
4. Retreat of the Sacred Heart
5. The Persecution Song
6. Deceiving Eyes
7. Lilith Immaculate
8. The Spawn of Love and War
9. Harlot on a Pedestal
10. Forgive Me Father (I Have Sinned)
11. Beyond Eleventh Hour

Darkly, Darkly, Venus Aversa is the ninth studio album by English extreme metal band Cradle of Filth. It was released on 1 November 2010 by record label Peaceville and is a concept album centred on the demon Lilith.

1. Transmission from Hell
2. Thank Your Lucky Scars
3. Forgive Me Father (I Have Sinned)
4. Lilith Immaculate
5. The Persecution Song
6. Forgive Me Father (I'm in a Trance)
7. The Spawn of Love and War
8. Summer Dying Fast

Evermore Darkly is an EP by the British extreme metal band Cradle of Filth, released in October 2011. A companion piece to the 2010 album Darkly, Darkly, Venus Aversa, it contains two new tracks in "Transmission from Hell" and "Thank Your Lucky Scars", plus demo versions of some Venus Aversa tracks. An orchestral version of "Summer Dying Fast" (a track from 1994's The Principle of Evil Made Flesh album, reworked previously for 2001's Bitter Suites to Succubi) is also included as a taster for the subsequent Midnight in the Labyrinth collection.

1. Fugue en Sol Mineur 06:01
2. “zÑ5♦mı 03:45
3. L'Odyssée Hyperpropulsée 06:52
4. Involution - Expectations 06:18
5. Note Anticosmique 05:13
6. Neo Habilis 05:59
7. Le Roi Zogue 04:14
8. La Brèvité de l'Aphélie 03:41
9. Atlantis 11:20
10. Éthernellement 10:33

Hailing from the murky depths of Brittany, CREATURE has been working actively at crafting some of today's most exciting, forward-thinking and unique metal music. With already two self-released albums under its belt (“Inquiétudes” in 2018, and “Contes Funèbres” in 2019) in less than a year of existence, the band returns with a new full-length, “Ex Cathedra”, an eccentric work exuding art and culture from each groove.

The project of sole member Raphaël Fournier, CREATURE is a mighty, undefinable and slightly worrying beastly entity with ever shifting and blurry contours which leave the flabbergasted listener in awe. Rooted in the avant-garde and symphonic black metal from the 90s as much as it is in classic epic prog, CREATURE's music is intrepid and elegant, not bound by any genre, rule nor norm. Taking cues also from Baroque, 60s-80s French pop, classical music, fanfare, French poetry and a whole life of listening to music of all kinds, Fournier's brew features intricate orchestrations of inventive guitars, thunderous rhythms, heavy bass, majestic keyboards, horns and choirs. His work truly carries the stigmas of a Leonardesque genius applied to a musical score, because of the constant tension between an exuberant creative research and an evident love for classical canons of ideal beauty and formal perfection.

Despite the meticulous arrangements and the complex geometric shapes exhibited, “Ex Cathedra” is surprisingly coherent and by no means a collage of sounds, nor a genre-hopping mess. Fournier has digested all of his influences to create his own progressive black metal style, his spectacular songwriting holding everything together in a natural way. Accompanied by soul-clenching lyrics, the music breathes, expands and contracts before soaring to unexpected heights, towards an oneiric hyperuranion where gorgeous melodies and atmospheres of cosmic beauty await.
Alternately energetic, thrilling, poetic and melancholic (often all at once), CREATURE's “Ex Cathedra” stays always surprising and inebriating, with a sense of grandeur pervading it all. 

1. Hallelujah! 00:45
2. Be My End 02:38
3. Born Cold 02:57
4. Cyanide 03:27
5. Celestial Violence 00:17
6. Annabelle 03:48
7. Paradise 04:02
8. Poisoned Heart 03:27
9. Thorns Of Love 03:22
10. Four Years Ago 03:25
11. Holy War 00:22
12. Napalm Girls 03:34
13. The Crown Of Life 00:06
14. Black Moon 03:35
15. All My Friends (Hidden Track) 04:15

Welcome to Calvary Falls, where the world of one quiet, snowy American town is about to be turned upside down by the arrival of a mysterious man…to catastrophic results. Creeper have never been a band to accept limitations on
their ambitious designs; 2017ʼs debut album, Eternity, In Your Arms, took broad brushstrokes of Peter Pan, weaved in the fantastical story of a paranormal investigatorʼs disappearance and set it, as one would fully expect, in Southampton. On Sex, Death & the Infinite Void, their second full-length concept album, such scale and vision isnʼt simply confined to their
storytelling. “Creating this record was about ignoring the things that had trapped us in the past,” frontman Will Gould tells Apple Music. “I wanted to ignore what had come before, and prove wrong everyone that said no band could advance their sound so dramatically without alienating your fanbase.” And so this love-triangle tale of lust, envy and wrath plays out to a soundtrack of British glam rock, Americana country, 1950s doo-wop and their stock-in-trade: emo punk hooks. A first visit to any strange place requires a good tour guide to uncover its true depths, however, so who better to show you the sights of Calvary Falls than Gould himself?

1. Turn It Off 00:54
2. Dead And Buried 00:40
3. Fuck Knows If I Die 00:51
4. Odorous Incision 01:03
5. Putrid Existence 01:25
6. Parasite 00:52
7. Weak As Fucking Piss 00:52
8. Hate Intensified 01:10
9. The Dog In Me Unleashed 00:53
10. Ravaged 00:45
11. You Are Pathetic 01:18

CRISISACT is Joe and Dave Haley (Psycroptic), Brett Bamberger (Revocation) and Matt Young (King Parrot) who have joined forces to create their own brand of sonic grind chaos.

Red with blue splatter vinyl (limited to 200 pieces)

1. Age of Quarantine
2. 2020
3. Life on Earth
4. Violence and Destruction
5. Chaos in the Streets
6. Cro-Fusion

To close out this year of international turmoil and disease, the band has announced the six-song EP "2020". CRO-MAGS also released the EP's title track, venting all the frustration and rage, CRO-MAGS style, at the unprecedented chaos of this year.

The record itself is unintentionally 20 minutes and 20 seconds, and plays out more like a time-capsule look into the dumpster fire known as the year 2020.

CRO-MAGS founder Harley Flanagan explains: "Just by coincidence we recorded 20 minutes and 16 seconds of music, so we simply added a few seconds of real-world chaos.

"The album cover is meant to look like a calendar — seven squares across, with one picture from 2020 per day. Inside the booklet there are 12 pictures, one for each month of 2020; and the back is a shot of something I have never seen before in my life — a totally empty New York City.

"Coronavirus, quarantine, empty streets, brutality, burning buildings, violence and destruction: 2020 is a year none of us will ever forget.”

1. Don't Give In
2. Drag You Under
3. No One's Victim
4. From The Grave
5. No One's Coming
6. PTSD
7. The Final Test
8. One Bad Decision
9. Two Hours
10. Don't Talk About It
11. Between Wars
12. No Turning Back
13. There Was A Time

Say Good-Bye To Mother Earth

Kali-Yuga
War On The Streets
Death In The Womb
Time I Am
Reflections
Near Death Experience
The Other Side Of Madness (Rat Soup Version '93)

1. Unchain My Soul
2. As I Ascend

Dark Funeral is a Swedish black metal band from Stockholm, founded by guitarists Blackmoon and Lord Ahriman in 1993. They emerged during the second wave of black metal.

Their lyrical themes have traditionally pertained to Satanism and anti-Christianity. Certain past and present members including Blackmoon, Ahriman, Caligula and Chaq Mol have each declared an affinity for Satanism, with Ahriman and Caligula notably being practitioners of LaVeyan Satanism. In their earlier years, their lyrical themes usually revolved specifically around depictions of Hell and Satan.

1. Black Cloth 03:47
2. Cauldron Of Rebirth 04:47
3. Strident Voices 03:58
4. At The Still Point 03:58
5. A Colony Of Fevers 03:14
6. Darken the Door 03:34

"Probably still my favorite Dawn Ray'd album (and I have and love them all). The raw passion and drive of A Thorn, A Blight is inspiring. Aggression mixed with pathos. Solidarity with the political messaging. Sheer brilliance all around, including the inclusion of the violin over rough shod black metal." - Hayduke X

1. Fire Sermon 04:28
2. The Abyssal Plain 04:13
3. Future Perfect Conditional 04:20
4. Emptiness Beneath The Great Emptiness 03:17
5. A Litany To Cowards 03:10
6. The Ceaseless Arbitrary Choice 04:46
7. Held In A Lunar Synthesis 04:28
8. Strike Again The Hammer Sings 04:32
9. Island Of Cannibal Horses 05:07
10. A Thought, Ablaze 05:28

Autumn 2017 sees Dawn Ray'd return with their first full length LP and second ever release, The Unlawful Assembly. Pitching a more spiteful and malevolent anger against a new found triumph of melody and blasts, Dawn Ray'd delve deeper into the world 'A Thorn, A Blight' revealed to us. The record is divided into two parts, The Wild Service and The Wild Magic; it is equal parts malice and spite, and ethereallity and exultation. From the clean singing of 'A Litany To Cowards' to the thrashing pace of 'Emptiness Beneath The Great Emptiness', The Unlawful Assembly is a multi-pronged attack, but with one consistent message, inaction is not an option.

This is a 10-song strong call to arms, these are battle hymns for the coming class war.

Press for The Unlawful Assembly:

“The Unlawful Assembly is one of 2017's finest extreme metal recordings." - Noisey

"With their unique, evocative take on the genre’s tropes and outspoken anti-fascist stance, Dawn Ray’d are arguably the most refreshing and important black metal band around today." - Terrorizer

"I have little hesitation in declaring The Unlawful Assembly to be one of the best Black Metal albums of the year." - No Clean Singing

“It’s the kind of record that renews my hope and faith in metal" - The Quietus

“The best black metal album I have ever heard. This album is truly wonderful." - Glacially Musical

"It has always been the role of working-class folk music to speak the truth to power and Dawn Ray’d have by turns incorporated that tradition into contemporary black metal, flipping a genre long associated with the far-right on its head, red hot, weaponised and ready to take on the oppressors." Astral Noize UK

10/10 - "With The Unlawful Assembly, Dawn Ray’d have created a truly memorable, modern, classic record.” - Noizze

1. Police Truck 2:23
2. Too Drunk To Fuck 2:38
3. California Über Alles 3:26
4. The Man With The Dogs 3:01
5. In Sight 1:38
6. Life Sentence 2:38
7. A Child And His Lawnmower 0:54
8. Holiday In Cambodia 3:43
9. I Fought The Law 2:17
10. Saturday Night Holocaust 4:22
11. Pull My Strings 5:53
12. Short Songs 0:20
13. Straight A's 2:05
14. Kinky Sex Makes The World Go 'Round 4:17
15. The Prey 3:44
16. Buzzbomb From Pasadena 2:20
17. Night Of The Living Rednecks 5:10

Give Me Convenience or Give Me Death is a compilation album by the American hardcore punk band Dead Kennedys. It was released in June 1987 through front man Jello Biafra's record label Alternative Tentacles.

1. Flattening Of Emotions 04:28
2. Suicide Machine 04:23
3. Together As One 04:10
4. Secret Face 04:39
5. Lack Of Comprehension 03:43
6. See Through Dreams 04:39
7. Cosmic Sea 04:27
8. Vacant Planets 03:52
9. God Of Thunder (Bonus Track) 04:00

DEATH, the heavy metal institution founded, realized, and helmed by legendary guitarist Chuck Schuldiner, released its legendary fourth studio album Human ('91) to massive worldwide critical acclaim. The album's complex and progressive music and introspective lyrics marked a massive stylistic change away from the more primitive early material for the group, and Human went on to become one of the most influential metal records in the history of the genre. Remixed under the watchful eye of longtime DEATH producer Jim Morris, Human represents the fully-realized version of this epic album. Available on vinyl for the first time in over 7 years.

1. Wars of Attrition
2. Why Not Love
3. (Symbols of) Human Failure
4. Mutual Destruction
5. Cost of Progress
6. Insolent Death
7. Echoes of Life
8. Corrupt Dreams
9. Onward to Collapse
10. Drain
11. Love Fear
12. Inevitable

Destruct deliver an absolute crusher of a debut LP following a couple recent, well-regarded demos. The sound is one that you know and are familiar with; Stoke-on-Trent, Scandanavia, and Japan, but it has been executed to its absolute maximum and captured with a clear and powerful recording. Huge, catchy riffs. Exacting rhythm. Howls of defeat, agony and pain.Taking a time-honored formula, they have lent their hand to making an album that has again breathed new life into the genre. “Echoes of Life” is a testament to the power of paying respects to a classic sound while simultaneously pushing it forward to today. It’s the sound of an enormous door closing in the depths of hell. Ten-million tons of TNT dropped on your head.

1. Eucharistic Savagery 03:27
2. Crown Of Entrails 03:09
3. Disfigured Embodiment 03:15
4. Unfathomed Evisceration 04:00
5. Entombment Of Mutilated Angels 02:49
6. Perished Through Atonement 03:08
7. Desecrate The Crucifix 03:33
8. Apostolic Dismembering 03:03
9. Devouring The Consecrated 04:23

" brutal like few others!" - Peter

Outlaws 'til the End, Vol. 1 is the eighth studio album from American groove metal band DevilDriver. The album was released on July 6, 2018, via Napalm Records.

1. Reptile 5:17
2. Behind The Curtains Of Night - Phantasmagoria 3:19
3. Dreamside Dominions 5:13
4. United In Unhallowed Grace 4:22
5. The Promised Future Aeons 6:50
6. The Blazing Monoliths Of Defiance 4:37
7. The Insight And The Catharsis 7:16
8. Grotesquery Conceiled (Within Measureless Magic) 5:09
9. Arcane Lifeforce Mysteria 7:00

Nobody said it's going to be easy. When ENTHRONE DARKNESS TRIUMPHANT was released an hithero obscure shadow emerged from the shadows of the Norwegian black metal underground and took the hearts of all fans of dark, aggressive and dramatic music by storm.

Dimmu Borgir became a synonym for the success of the most extreme and radical underground trend the heavy metal genre ever witnessed. Extensive touring and performances on all major european festivals showed the aesthetic power their majestic embodiment of evil wielded over the uninitiated. The charts of several european countries where confronted with the devil's music in undisguised splendour. Most of those fairytales are normally not destined to last forever. And I still hear the moanings of the self-styled underground elite about undue commercialisation, I still see the warning hands of morality, trying to ward of this satanic threat. Alas, none of these positions are going to last longer than the release of this album, the fourth in Dimmu Borgir's still young career.

They took the commercial success of its predecessor as an encouragement to delete all 'nice' elements from their future efforts. SPIRITUAL BLACK DIMENSION is an intense and passionate document of their uncompromising lifestyle and their spirituality beyond the articles of faith represented by society and religion. The extent of their dedication to their own universe is visible in every single song. Myriads of miniscule details form the greater, grandiose structures. Far from being onedimensional every song is at the same time pompous and relentless, tempting through its beauty and repulsive from its crushing heaviness. Between these apparent contradictions lies the power of this music, so that even the aforementioned warning hands of morality will turn around to see the head banging in a magical trance. Obviously it is not the godlike power of the fairytale's narrator, but hard work that made this album as perfect as it is. Especially the newfound members Astennu (guitar) and Mystis (keyboard) play an important role, they brought in the complexity that will make SPIRITUAL BLACK DIMENSION an album not to be removed from any player for quite a while. Also one special guest is to be found on these tracks.

During the recording session in the renowned The Abyss studio with the famous black metal producer Peter Tägtgren they brought in Borknagar's vocalist Simen Hestnæs (who also sang in Arcturus). His outstanding and eery singing is like the wailing of the infernal choir next to Shagrath's dark poetry. It' s save to say that black metal will not be the same after this album. Robert Müller (Hammer), December 1998

1. Alt Lys Er Svunnet Hen 4:44
2. Broderskapets Ring 5:30
3. Nar Sjelen Hentes Til Helvete 4:43
4. Sorgens Kammer – Del II 5:51
5. Da Den Kristne Satte Livet Til 3:03
6. Stormblast 6:10
7. Dodsferd 5:42
8. Antikrist 3:36
9. Vinder Frau En EnsonGrav 4:00
10. Guds Fortapelse 4:01
11. Avmaktslave 3:54

Norway's DIMMU BORGIR have managed to become the most prominent and important Melodic Black Metal act around the globe. As an intermission between "Death Cult Armageddon" and the next album, DIMMU BORGIR deceided to re-release their second album "Stormblast".

It turned out not to be a simple re-release: The band fully re-recorded the album for this occasion. With Peter Tägtgren (HYPOCRISY) as producer and MAYHEMs Hellhammer on drums (Nick Barker departed in January 2005), the band wanted to add a new dimension to the album. The re-recorded version of "Stormblast" is even more intense and darker than the original.

1. Little Fury Things 3:05
2. Kracked 2:51
3. Sludgefeast 5:15
4. The Lung 3:51
5. Raisans 3:48
6. Tarpit 4:33
7. In A Jar 3:26
8. Lose 3:08
9. Poledo 5:40

You're Living All Over Me is the second studio album by American alternative rock band Dinosaur Jr. It was released on December 14, 1987, through SST Records.

1. Hear Nothing See Nothing Say Nothing
2. The Nightmare Continues
3. The Final Blood Bath
4. Protest and Survive
5. I Won't Subscribe
6. Drunk With Power
7. Meanwhile
8. A Hell on Earth
9. Cries of Help
10. The Possibility of Life's Destruction
11. Q: And Children? A: And Children
12. The Blood Runs Red
13. Free Speech for the Dumb
14. The End

If you don't have this, you better get it. Essential.

European import - Officially licensed, distributed item.

1. Visions Of War
2. Does This System Work
3. A Look At Tomorrow
4. Why
5. Maimed And Slaughtered
6. Mania For Conquest
7. Ain't No Feeble Bastard
8. Is This To Be
9. Massacre Of Innocents (Air Attack)
10. Why

Why is the fourth EP by English hardcore punk band Discharge, released in 1981 on Clay Records. It is sometimes confused as the debut album by the band. It reached number 1 on the UK Indie Charts in 1981.

1. Override of the Overture
2. Soon to Be Dead
3. Bleed for Me
4. And So Is Life
5. Dismembered
6. Skin Her Alive
7. Sickening Art
8. In Death's Sleep
9. Deathevocation (bonus track)
10. Defective Decay (bonus track)
11. Torn Apart (bonus track)
12. Justifiable Homicide (bonus track)

Founded in 1988 in Stockholm, Sweden, Dismember was among those responsible for death metal's big breakthrough. Their debut album from 1991, "Like An Ever Flowing Stream," clearly showed that Dismember was an uncompromising band, which resulted in their rise to cult status within a short period of time after the album took the scene by storm. They played for thousands of fans throughout Europe, thus reinforcing their status as one of the best live bands on earth. Now available again on 180 gram vinyl with a gatefold cover and four additional tracks. Imported from the UK.