Vinyl

1. Here's Your Warning
2. Definite Choice
3. Not Just Boys Fun
4. This Is The Angry Pt. 2
5. Straight On
6. You Lose
7. What If There's War In America
8. The Crew
9. Clenched Fists, Black Eyes
10. Colorblind
11. Aim To Please
12. Boss
13. Young Til I Die
14. Red & Black
15. Diehard
16. I Have A Dream
17. Bully
18. Trust

This masterpiece has been remastered by David Gardner from the original analog tapes. and repackaged as a gatefold featuring a beautiful, 20-page, full-color book with an oral history of the band from inception through the making of "The Crew." It includes insights from the likes of Ian MacKaye (Minor Threat), Jello Biafra (Dead Kennedys), Keith Morris (Circle Jerks/Black Flag), and many others, as well as unpublished flyers, photos, and other fun little trinkets.

INCLUDES:
=================== 
• Limited Color Variant (100 copies worldwide)
• Light Blue inside Transparent Blue w/ Baby Blue and Red Black Splatter
• Printed Inner Sleeves
• Download Card
• 33 RPM

=================== 
SIDE A 
01. Lords of Lavish Filth
02. Prismatic Delusion
03. Withered on the Vine
04. The Mortal's Harvest

SIDE B
05. Clarity
06. Constellation of Flies
07. Worthless Vessel Flawed
08. Immaculate Machine
09. Reaping the Earthbound Revelry

=================== 
• Limited Color Variant (100 copies worldwide)
• Blue inside Red w/ Sky Blue, Red and Black Black Splatter
• Printed Inner Sleeves
• Download Card
• 33 RPM

=================== 
SIDE A 
01. Lords of Lavish Filth
02. Prismatic Delusion
03. Withered on the Vine
04. The Mortal's Harvest

SIDE B
05. Clarity
06. Constellation of Flies
07. Worthless Vessel Flawed
08. Immaculate Machine
09. Reaping the Earthbound Revelry

INCLUDES:
=================== 
• Limited Color Variant (100 copies worldwide)
• Highlighter Yellow w/ Red, Neon Orange and Neon Green Splatter
• Printed Inner Sleeves
• Download Card
• 33 RPM

=================== 
SIDE A
01. Annihilation Induced by the Luminous Firestorm
02. Rapturous Euphoria
03. False Gods Render Death
04. Enhanced Sinister Corruption

SIDE B
05. Ecliptic Realm
06. And Darkness Was Cast
07. Architect and Arsonist
08. The Carnage of Infinite Black
09. Purged and Forgotten

INCLUDES:
=================== 
• Limited Color Variant (100 copies worldwide) 
• Neon Orange, Transparent Red and Oxblood Red Merge w/ Black Splatter
• Printed Inner Sleeves
• Download Card
• 33 RPM

=================== 
SIDE A
01. Annihilation Induced by the Luminous Firestorm
02. Rapturous Euphoria
03. False Gods Render Death
04. Enhanced Sinister Corruption

SIDE B
05. Ecliptic Realm
06. And Darkness Was Cast
07. Architect and Arsonist
08. The Carnage of Infinite Black 09. Purged and Forgotten

INCLUDES:
=================== 
• Limited Color Variant (200 copies worldwide) 
• Ultra Clear w/ Red Splatter Vinyl
• Printed Inner Sleeves
• 33 RPM
• Download Card

=================== 
A Side
01. Natsukashii
02. Ikigai
03. Covered the Cold Earth
04. Smoldered
05. The Wrath
06. If I Do Die

B Side
07. Souvenir of Skin
08. Her Opus Mangled
09. Horadric Cube
10. Grief Eater, Tear Drinker
11. Gyokusai

PRE-ORDER: Shipment Extended Estimated to ship on or around July 14th, 2021.

INCLUDES:
=================== 
• Limited Color Variant (100 copies worldwide) 
• Red and Silver Merge w/ Black, White and Silver Splatter Vinyl
• Printed Inner Sleeves
• 33 RPM
• Download Card

=================== 
A Side
01. Natsukashii
02. Ikigai
03. Covered the Cold Earth
04. Smoldered
05. The Wrath
06. If I Do Die

B Side
07. Souvenir of Skin
08. Her Opus Mangled
09. Horadric Cube
10. Grief Eater, Tear Drinker
11. Gyokusai

PRE-ORDER: Shipment Extended Estimated to ship on or around July 14th, 2021.

INCLUDES:
=================== 
• Limited Color Variant (100 copies worldwide) 
• Milky Clear w/ Red, White, Silver and Black Splatter Vinyl
• Printed Inner Sleeves
• 33 RPM
• Download Card

=================== 
A Side
01. Natsukashii
02. Ikigai
03. Covered the Cold Earth
04. Smoldered
05. The Wrath
06. If I Do Die

B Side
07. Souvenir of Skin
08. Her Opus Mangled
09. Horadric Cube
10. Grief Eater, Tear Drinker
11. Gyokusai

PRE-ORDER: Shipment Extended Estimated to ship on or around July 14th, 2021.

INCLUDES:
=================== 
• Limited Edition Color Variant (250 copies worldwide) 
• Sea Blue Vinyl
• 33 RPM

=================== 
SIDE A
01. Cascades of Light
02. Writhe
03. Mortal Abrogation
04. Fluorescent Halls of Decay
05. Absentia

SIDE B
06. That Which is Left Behind
07. The Black Circle
08. With You, I Walk
09. The Pale Beast 

INCLUDES:
=================== 
• Double LP Vinyl
• Limited Edition Color Variant 
• Leiden Variant | Red inside Tan with Color Splatter (100 copies worldwide) 
• Aberration Variant | Red with Yellow and Purple Splatter (100 copies worldwide) 
• Abyss Variant | Orange and Neon Violet merge with black and white splatter (100 copies worldwide) 
• Download Card
• 33 RPM

=================== 
SIDE A
01. Aberration
02. Endless Cycle of Rebirth

SIDE B
03. Shrouded in Kaleidoscopic Skin
04. Behold, The World Eater

SIDE C
05. The Living Abyss
06. Leiden

SIDE D
07. Son of a Nameless Father
08. Upon Infinite Seas

ORDER INSURANCE

*PLEASE NOTE: THIS IS A PRE-ORDER PRODUCT ESTIMATED TO SHIP ON OR AROUND January 14th, 2022. IF THIS PRODUCT IS IN YOUR ORDER, YOUR ENTIRE ORDER WILL NOT SHIP UNTIL IT IS AVAILABLE.*

*PLEASE NOTE: THIS IS A PRE-ORDER PRODUCT ESTIMATED TO SHIP ON OR AROUND FEBRUARY 18, 2022. IF THIS PRODUCT IS IN YOUR ORDER, YOUR ENTIRE ORDER WILL NOT SHIP UNTIL IT IS AVAILABLE.*

SIDE A
01. Bastards of the Earth
02. Of Beasts and Worms

SIDE B
03. Into Embers
04. To Carry My Grief Through Torpor and Silence
05. Vermin

SIDE C
06. Called Home
07. Blight

SIDE D
08. The Dopamine Void, Pt. I
09. The Dopamine Void, Pt. II
10. Saturnine
11. In Mourning
12. Only Loss

Vinyl Features:
+ Fuego or Bone and Gold Vinyl (limited to 300 each)
+ Gatefold Jacket
+ 2-Sided Insert
+ Digital Download Card

The title DAMNUM is Latin for 'loss', which fits many of the lyrical themes explored on the album. "The band experienced a lot of death within our personal lives, and it colored the album," explains Burgess. For McShane, centering his lyrics on processing sadness, anger, grief, and loneliness, his intention is that some people might take solace in the words and use them as a resource to cope with their own experiences. "We all experienced something over these past couple of years that took a lot out of us emotionally, and as musicians, we tend to turn to our art to process those emotions. Throughout the album, there are many metaphors for mental health and my hope with these lyrics is to have them be relatable to listeners and show them that they're not alone when they're experiencing the gamut of negative emotions - someone else is out there feeling the same way. Facing some things about my experiences in life and in music over the past few years brought me to a few very intense moments of reflection and emotional overload and getting through those moments was often much harder than anticipated."

**Actual vinyl color may differ from mock**

1. Intro
2. The Ice Age Is Coming
3. Please Die!
4. Sore Throat Syndrome
5. Fuck What Fireworks Stand For
6. The Day The Music Died
7. Protest Song 00

Performed live by American Nightmare (Wes, Tim, Masek, Standhard & Brandon) at CBGB on December 10th, 2000. Recorded for $25 off the soundboard by Lucas Gonzalez and mastered by Will Killingsworth. The show line-up was Tear It Up, American Nightmare, Reach The Sky, Bane & Mouthpiece, and was booked by Rich Hall / 1000 Knives.

1. Life As One
2. Nazi Youth
3. Real Deal
4. Foreign Job-Lot
5. Zero Mentality
6. Got Me On The Line
7. Die At War
8. Something Must Be Done
9. Die At War (demo)
10. Leave It Behind (demo)
11. Him (demo)
12. Them Or Us (demo)
13. Deadly Rain (demo)
14. Job Well Done (demo)
15. Live As One (demo)
16. Nazi Youth (demo)
17. Die At War (demo)
18. Foreign Job-Lot (live)
19. Something Must Be Done (live)
20. Deadly Rain (live)
21. Got Me On The Line (live)
22. You Say You Didn't But You Did (live)
23. Life As One (live)
24. Nazi Youth (live)
25. Herpes R Forever (live)
26. Unaffected (live)
27. Live For Nothing (live)
28. Real Deal (live)
29. Zero Mentality (live)

In addition to the legendary, eight-song EP, you get the band's first seven-song demo recorded in 1982 at Jerry Williams' infamous 171A Studios, plus two songs recorded shortly thereafter for the lost Bad Brains Records compilation, and a previously uncirculated, 12-song live set from 1983. The early demos feature original Antidote singer Jeff White (plus future Prong/Danzig axeman Tommy Victor on bass) and show the natural evolution from the band's punky roots to the well-oiled hardcore machine they became on their vinyl debut. This full-length also includes a 16-page, 12" x 12" booklet containing photos, flyers, and extensive liner notes by guitarist/founding member Robb "Nunzio" Ortiz, plus a reproduction of the band's original sticker design.

INCLUDES:
=================== 
• Limited Color Variant (200 copies worldwide)
• Clear w/ Red and Green Splatter
• 33 RPM

===================
SIDE A
01. Perspicacity Part 1
02. Perspicacity Part 2
03. Somatic Evolvement
04. The Passage of Knowledge

SIDE B
05. An Assembled Reality
06. Modernity Part 1 (Instrumental)
07. Modernity Part 2 (Instrumental)
08. Eternal Subjugation

SIDE C
09. Self-Induced Affliction
10. The Digital Age
11. Delusions of Superiority
12. A Grim Fate

SIDE D
13. Inconclusive


INCLUDES:
=================== 
• Limited Color Variant (100 copies worldwide)
• Red and Green half-and-half with Black Splatter
• Double LP pressing
• 33 RPM

=================== 
SIDE A
01. Perspicacity Part 1
02. Perspicacity Part 2
03. Somatic Evolvement
04. The Passage of Knowledge

SIDE B
05. An Assembled Reality
06. Modernity Part 1 (Instrumental)
07. Modernity Part 2 (Instrumental)
08. Eternal Subjugation

SIDE C
09. Self-Induced Affliction
10. The Digital Age
11. Delusions of Superiority
12. A Grim Fate

SIDE D
13. Inconclusive

1. Spectre of Extinction
2. The Paradox
3. The Nightmare of Being
4. Garden of Cyrus
5. Touched by the White Hands of Death
6. The Fall into Time
7. Cult of Salvation
8. The Abstract Enthroned
9. Cosmic Pessimism
10. Eternal Winter of Reason

Swedish melodic death metal pioneers AT THE GATES have completed recording their new studio album, "The Nightmare Of Being", for a July 2 release via Century Media Records.

While main parts for "The Nightmare Of Being" were recorded in several different Swedish studios — drums at Studio Gröndal with Jens Bogren, guitars and bass with Andy La Rocque at Sonic Train Studio and vocals at Welfare Sounds with Per Stålberg — the LP was mixed and mastered at Fascination Street Studios (AMON AMARTH, OPETH, KREATOR) by Jens Bogren, who has previously worked with AT THE GATES on the "At War With Reality" comeback album in 2014. The album's visual concept was developed by artist Eva Nahon.

1. Reaching Perfection
2. Tasting Death
3. A Prison
4. A Release
5. Drown In Duress
6. Massive Wash Of Cowardice
7. Acceptance
8. Dirt & Suffering
9. Painted With A Broken Hand
10. Goddamn This Waiting
11. Needles & Blood

At The Heart Of The World’s new album, Reaching Perfection, Tasting Death, is the second chapter of their nihilistic manifesto, documenting their ongoing sonic metamorphosis, and further cementing them as masters of industrial metal alchemy. With this misanthropic sermon, these warrior cenobites spit words of pain into the blank faces of the complacent and self-righteous mob. Equal parts kinetic melody and crushing violence, the album explores a wide range of attitudes, from the dual title tracks’ distorted crunch and blasts of percussion, to the vicious melancholy of “A Prison.” The malcontent dirge of “Massive Wash Of Cowardice,” paints a portrait of self-loathing torment while the spiteful fury of “Dirt & Suffering” redirects that hatred out into world.

Since the release of 2018’s Rotting Forms, At The Heart Of The World have sequestered themselves in a dungeon of electronic noise and analog riffs, perfecting their sound. Now, these impious acolytes of misery are declaring total war on the oppressive banality of life, emerging to wield their newly forged aural truncheons against the vulnerable eardrums of the masses, and with the release of Reaching Perfection, Tasting Death, these raiding parties will only grow in frequency and ferocity.

INCLUDES:
==============
• Limited Color Vinyl (125 Worldwide)
• White Vinyl
• Double LP
• 33 RPM
==============
SIDE A
01. Illusive Golden Age
02. The Living Vault

SIDE B
03. Carrion Tide
04. Mater Dolorosa

SIDE C
05. Maritime
06. Message Sonore

SIDE D
07. Parallel Biospheres
08. Anchorite

1. Retribution for the Dead
2. Destined to Fester
3. In the Grip of Winter

Retribution for the Dead is an EP by the American death metal band Autopsy. It was released in 1991 by Peaceville Records. It features two songs which were re-recorded for the Mental Funeral album - the title song is exclusive to this EP.

1. Shift I
2. Fear And Impulse
3. Sovereign
4. Solipsism
5. Parasitic Eye
6. Faith
7. Ravine
8. Consume
9. Soma
10. The Altruist
11. Shift II
12. Tightrope

"Shift" is the second full-length from Florida's metalcore masters Axis. These tracks channel the power of noisy and chaotic '90s bands like Coalesce, Threadbare and Kiss It Goodbye while keeping pace with current heavyweights like Vein and Code Orange.

1. Graze The Fire
2. Discouraged
3. Transgression
4. Show Your Greed
5. Burn (Eradicate)
6. Sincerity
7. Crippled Man
8. Badge Licker
9. With Silence
10. With Grace

Axis has been a band for five years, with just an EP and two splits to show for it until now. "Show Your Greed" is their debut full-length, and finds the band honing their sound, bringing a hard, heavy and chaotic brand of metallic hardcore played with the same power and technicality of '90s favorites like Turmoil, Kiss It Goodbye and Converge.

1. Coptic Times 2:13
2. Attitude 1:12
3. We Will Not 1:40
4. Sailin' On 1:50
5. Rally Round Jah Throne 4:44
6. Right Brigade 2:30
7. F.V.K. (Fearless Vampire Killers) 0:48
8. Riot Squad 2:02
9. The Meek Shall Inherit The Earth 3:43
10. Joshua's Song 0:34
11. Banned In D.C. 2:05
12. How Low Can A Punk Get 1:55
13. Big Takeover 2:40
14. I And I Survive 5:13
15. Destroy Babylon 1:25
16. Rock For Light 1:25
17. At The Movies 2:20

Rock for Light is the second full-length album by hardcore punk pioneers Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. The 1991 re-issue was remixed by Ocasek and bass player Darryl Jenifer.

1. Eyes Of The Possessed 04:05
2. March Into Obliteration 03:11
3. Vengeance Of The Damned 04:18
4. Into The Endless Dark 04:09

Bastard Priest returns to the endless dark nearly 10 years since its last full-length album, 'Ghouls Of The Endless Night!' The brand new MLP, aptly titled 'Vengeance...Of The Damned,' is 16 minutes of the exact same merciless and insane death metal that possessed the underground back in 2008. Nothing more needs to be said!

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1. End Sequence 00:57
2. Parallels 01:02
3. Against the Wall 00:55
4. Pact Music 00:59
5. The Method 01:54
6. Looking From The Inside 01:18
7. Pact Music II 00:44
8. Famous Last Words 01:36
9. Leave Its Mark 01:03

New 9 song LP from South Florida's BE ALL END ALL!

1. Transylvanian Forest 5:35
2. Moonspell Rites 6:01
3. Sventevith Storming Near The Baltic 5:59
4. Pure Evil And Hate 3:08
5. Forgotten Empire Of Dark Witchcraft 4:11

And the Forests Dream Eternally is the debut EP by Polish extreme metal band Behemoth. It was released in August 1995, through Italian label Enthopy Records. The EP was recorded in July 1994 in Warrior Studio. "Pure Evil and Hate" is a tribute to Bathory.

1. Intro 1:35
2. The Dark Forest (Cast Me Your Spell) 7:06
3. Spellcraft And Heathendom 4:50
4. Dragon's Lair (Cosmic Flames And Four Barbaric Seasons) 5:56
5. Lasy Pomorza 6:26
6. Rising Proudly Towards The Sky 6:53
7. Thou Shalt Forever Win 6:37
8. Grom 5:28

Grom is the second studio album by Polish extreme metal band Behemoth. It was recorded and mixed from December 1995 to January 1996 and was originally released in January 1996 through Solistitium Records, and later by Pagan Records. The album is Behemoth's last release before their shift into a death metal sound.

1 Diableria (The Great Introduction) 0:50
2 The Thousand Plagues I Witness 5:15
3 Satan's Sword (I Have Become) 4:17
4 In Thy Pandemaeternum 4:49
5 Driven By The Five-Winged Star 5:03
6 The Past Is Like A Funeral 6:41
7 The Entrance To The Spheres Of Mars 4:47
8 With Spell Of Inferno 4:38
9 Chwała Mordercom Wojciecha 4:42

Pandemonic Incantations is the third studio album by Polish extreme metal band Behemoth. The album was recorded during August and September 1997, at Selani Studio and was mixed in October 1997.

Tracklist
A1 Spearhead (Extended Remix)
A2 Crown Of Life
A3 Dying Creed
A4 Lament
B1 Cenotaph
B2 Destructive Infinity
B3 Prophet Of Hatred
B4 Realm Of Chaos (Live)

The Spearhead & Cenotaph EPs on one 12".

1. Thing From the Grave
2. Slaughter Shed
3. Murderous Amputee
4. The Man Who Was Death
5. Maniac At Large
6. Mutilate The Living
7. Rotten Grin
8. Vehicular Homicide
9. Human Hatred Overdose
10. M.F.C
11. Gore Creator
12. A Mute Witness to Murder
13. Bone Sickness

After years of quiet and safety on earth, the deranged freaks in Olympia, Washington's Bone Sickness re-emerged last year with a new tape of 13 gore soaked nightmare visions of Ungodly-Sick-Death-Grind titled "Theater of Morbidity". Hell Massacre Label is pleased to make this new masterpiece of terror and torment available on a proper 12” LP. Expect the putrified sounds of Repulsion, Autopsy, and Terrorizer. No triggers, no quantizing, no tech shit. Real brutality, real death metal. Limited to 500 copies on green vinyl.

1. Monastery
2. Centuries Asleep
3. Bottomless
4. The Talking Mask
5. Ash
6. Losing Shape
7. Loveless Reign
8. Vestige
9. Cradling Obsessions
10. Hell Vacation (CD & Digital Bonus Track)

Bottomless’ self-titled debut album, first opus from the Italian band featuring members of Messa and Assumption.

BOTTOMLESS plays nothing but unadulterated Doom Metal in the vein of the ancient masters, a slow and fervent display of Heavy Metal and dusty riffs.

Also, the cover artwork lays bare the spirit of the olden days with a painting of Henri-Joseph Harpignies, French painter of the 19th Century also known as the ‘Michelangelo of trees’.

For fans of Black Sabbath, Pentagram, Saint Vitus, Trouble, The Obsessed

Album Credits:
Mixed and Mastered at Mal De Testa Studio by Bottomless and Daniel Grego
Cover Painting by  Henri-Joseph Harpignies
Artwork by Devilsindetails
Logo by Sandro Di Girolamo

LP DETAILS:
‘Pitch Black’: Gatefold 180g Black LP, limited to 400 copies
Includes Download Code

1. Morgue Ritual 3:29
2. Circle Of Morbidity 2:39
3. Feed The Pigs 3:13
4. Final Fight 2:40
5. Deathmachine 3:22
6. Reborn 3:33
7. The Pestilence 2:37
8. Edder & Bile 2:32
9. Years Of Nothing 3:20
10. Let Me Burn 4:08

Emerging from the fertile maelstrom of the late ‘80s metal underground, CADAVER were among the first Norwegian extreme metal bands to gain any recognition away from their homeland. With a sound that mixed the raging brutality of POSSESSED and DEATH to a distinctly Norwegian sense of discord and disquiet, Odden and his teenage band mates secured a deal with Earache Records sub-label Necrosis and released their debut album Hallucinating Anxiety in 1990 (initially as a split with Swedish kindred spirits CARNAGE). A more progressive and adventurous but no less vicious follow-up, ...In Pains, arrived in 1992: but for all their momentum and unique, malevolent charm, the first CADAVER line-up was ultimately doomed to disintegrate barely a year later. Nonetheless, their status as cult heroes was beyond dispute.

1. Good To Feel
2. Lust For Destruction
3. Systematic Death
4. Panic Is On
5. Burning Water
6. Joy Of Life
7. Distorted Dreams
8. Human Target
9. Bigger Than Yours

Candy has once again teamed up with Triple B Records for their most fantastical and sinister release yet. Keeping in line with the artistic dualities of pleasure and pain, fact and fiction, peace and violence, their debut LP Good to Feel delivers 9 songs of their most ambitious and focused material to date. Aligning with the esteemed engineer and producer Arthur Rizk, Candy has finally achieved the type of artistry that transcends the confines of its own medium. Where they once dabbled in the marriage of noise and image, Good to Feel succeeds in its pull from deep cinematic wells. Utilizing the atmosphere of films such as Escape from New York and Akira, Candy’s new record grants the listener a psychotic joyride into a world one misstep away from absolute obliteration. Environmental devastation, police violence, political corruption, and a myriad of tragedies privy to the human experience all make their way into the vaudeville demonstration that is Good to Feel.

1. The Living Dead At The Manchester Morgue 05:58
2. The Long And Winding Bier Road 04:21
3. Under The Scalpel Blade 03:55
4. Slaughtered In Soho 04:37

True metal originators, Carcass influenced extreme metal all over the globe with early records like “Symphonies of Sickness” (1989) and “Heartwork” (1993). After a seventeen yearalbum sabbatical, critics and fans alike lauded 2013’s “Surgical Steel”, the band’s first record since “Swansong” (1996), and the band's return to form. Bigger than ever Carcass toured the world for years supporting the album. In the lead up to a new 2021 full length Carcass will be offering the EP “Despicable” on Oct 30. The 4-track collection is made up of songs not featured on the band's upcoming 2021 full length.

1. Dark Recollections
2. Torn Apart
3. Blasphemies Of The Flesh
4. Infestation Of Evil
5. Gentle Exhuming
6. Deranged From Blood
7. Malignant Epitaph
8. Self Dissection
9. Death Evocation
10. Outro

Carnage’s one and only album Dark Recollections is an essential slab of Swedish death metal; released in the same year as Entombed’s Left Hand Path, it wouldn’t be an exaggeration to say that this is one of the records that created the blueprint for the thick, detuned HM-2 driven Swe-death sound that has become so iconic today. Whilst oft imitated, few bands have even come close to the raw, unruly darkness that emanates from this album.

As a band, Carnage were shortlived, but left the kind of legacy most acts can only dream of. They may not have made it to a second album, but vocalist Matti Karki, guitarist David Blomqvist and drummer Fred Estby would go on to form Dismember, releasing their classic debut Like An Ever Flowing Stream just a year later, whilst young guitar virtuoso Michael Amott would join Carcass for their seminal Necroticism and Heartwork records before forming the hugely successful Arch Enemy.

Even without taking into account these later achievements however, Dark Recollections remains a vital part of extreme metal history and one of the main pillars of the Swedish death metal sound. Now reissued as a Full Dynamic Range vinyl, with the audio taken from the original DAT tapes, this is the definitive version of this cult classic.

1. Through the Black Veil of the Burgo Pass 02:20
2. Bloodlust and Perversion 04:10
3. Return of the Freezing Winds 03:56
4. The Woods of Wallachia 03:27
5. Wings over the Mountain of Sighisoara 04:02
6. Journey through the Cold Moors of Svarttjern 05:21
7. The Eclipse - The Raven 03:30
8. The Last Sigh of Nostalgia 08:02
9. Carpathian Forest 03:18
10. Call from the Grave 04:56
11. Return of the Freezing Winds 04:18
12. In the Circle of Ravens 06:48
13. Warhead 04:24

Throughout their long history, Carpathian Forest have covered a wide range of sonic territory. This double LP collects the earliest demo material that the band released, and it is easily among their best output. Despite the fact that they were all released nearly contemporaneously, the two demo recordings and a studio rehearsal on this compilation – “Bloodlust and Perversion” (1992), Rehearsal (1992), and “Journey Through the Cold Moors of Svartjern” (1993) – cover a vast spectrum within the Black Metal genre. The tracks on the “Bloodlust and Perversion” demo are predominantly mid-paced and, at times, even doomy evoking a sound more akin to Samael, Hellhammer or even Goatlord. The atmosphere that Carpathian Forest attains with this sound is distinct from those or any other band’s output, however. While more sludgy and visceral than much of the Norwegian Black Metal of that era, Carpathian Forest still manage to create the sense of isolation and solitude characteristic of the Norwegian landscape that is so often associated with that region’s output in the early 1990’s. The “Journey Through the Cold Black Moors of Svartjern” is even more atmospheric in that it eschews most of the traditional elements of metal in favor of a pure descent into the sensory realms. The first track is a keyboard-laden, militant dirge that, but for the vocals, could nearly be characterized as dark industrial or neofolk. The two tracks that follow are even more folkloric. This sound, while uncharacteristic of most of Carpathian Forest’s work before or since, is arguably some of their darkest and most melancholic work. This demo recording reveals that much of what is relevant and intriguing about Black Metal is the atmosphere of the music rather than the aggression that is often associated with it. The last tracks on this compilation, however, show that Carpathian Forest were equally adept at channeling the aforementioned aggression inherent in Black Metal. These tracks, taken from the obscure rehearsal recording from 1992, are predominantly primitive Black Metal as one would expect. More furious and raw than the other two demos, these tracks are a step closer to the sound evolving in Norway during the rise of the second wave of Back Metal. Carpathian Forest’s style on this recording is not quite fully realized, however, and the band seems to rely heavily upon the first wave bands that inspired them. Indeed, this demo features cover tracks by both Bathory and Venom as well as stylistic nods to Hellhammer/Celtic Frost. Overall, these early recordings capture not only a band in the process of defining its own style, but of the emergence of an entire genre of music and the diverse potential inherent within it.

1. Cloned For Carrion
2. Parasitic Infestation (Extracted Pus, Mistaken For Yogurt, And Then Gargled)
3. Unclogged And Ready For Spewage
4. Gestation Of Smegma
5. Mute Rain
6. Flesh-Eating Disease (Flu-Like Symptoms Of E-Coli With Complete Digestive Shut-Down)
7. The Decapitation Of Cattle
8. Constipation Camp
9. Intro To Carnage
10. Cream Of The Crop
11. Mad Cow Conspiracy (Bloated Bovine - Home To Flies And Anthrax Spores)
12. Veal And The Cult Of Torture
13. Stench From The Dumpster
14. Body Snatcher (Viscera Intact - Ripe For Devourment)
15. Roadkill Removal Technician
16. Bovine, Swine And Human-Rinds
17. Bludgeoned, Beaten And Barbecued
18. Colon-Blo

Originally Three One G's 22nd release, "Human Jerky" is the 1999 debut album by San Diego, CA's most beloved and brutal death-metal band, Cattle Decapitation. Summoning the evil spirit of bands like Carcass and gatekeepers like Zuul, this nonstop blastbeat onslaught encapsulates arguably the most brutal and certainly the most grindy elements of all of Cattle Decapitation's now extensive and impressive discography. This is a revelatory release for Cattle Decapitation fans who might not be familiar with the band's goregrind origins.

1. Confusion Hath Fuck His Masterpiece 06:44
2. The Mutes Have Begun to Speak 06:11
3. Four Cubits and a Span 03:34
4. The Dead Who Climb Up to the Sky 07:00
5. Hollow Feeds the Emptying Death 04:40
6. Escape! Harmony is Disclosure 05:55
7. I've Got a Gut Feeling (Devo) 07:26
8. With Every Wrist Outstretched 07:07
9. And Every Sword Unsheathed 05:05
10. I Will Possess Your Heart 05:32
11. Out, Brief Candle 08:14
12. Genesis of the Daffodil 07:41

A double LP housed in a trifold sleeve with new art from Blial Cabal, this is a collection of all of our previous works.

1. Waste Of Skin 4:16
2. Halo Of Blood 3:12
3. Scream For Silence 4:10
4. Transference 3:58
5. Bodom Blue Moon (The Second Coming) 4:14
6. Your Days Are Numbered 3:41
7. Dead Men's Hand On You 4:58
8. Damaged Beyond Repair 4:21
9. All Twisted 4:52
10. One Bottle And A Knee Deep 4:02

Halo of Blood is the eighth studio album by Finnish melodic death metal band Children of Bodom. It was released on 7 June 2013 in Europe and 11 June in North America on Nuclear Blast Records. In Japan, the album was released by Marquee Inc. on 29 May 2013.

1. Faded Now 3:54
2. You're No Good (Club Mix) 7:47
3. Twist The Knife (8 Track Version) 3:19
4. Street Lights 3:06
5. I Want To Be Alone 3:46
6. Touch Red (On Film) 4:01
7. Nocturne 2:13
8. Wishing Well (Alternate Version) 2:36
9. The Runner 3:25
10. Burning Bridges 1:55
11. Stiff As A Board 4:18
12. The Sound Of Silence (On Film) 2:51
13. Bloody Mary 1:06
14. Move A Mountain (On Film) 3:14

1. Death Dance Approximately 04:07
2. I Want to Kill You 03:12
3. Blue Sunday 03:52
4. Thin Air 03:03
5. Call Your Bluff 03:25
6. Pedestal 03:12
7. Fight Beat 02:52
8. Black and Red 02:52
9. Glass World 03:24
10. Winter Buds 04:08
11. Edge of the World 03:27

Citizen have always eluded definition. The Toledo, Ohio-based three-piece have been making dynamic, wide-ranging guitar music for over ten years, challenging expectations with each new album and refusing to fit neatly in a box. On their fourth full-length, Life In Your Glass World, Citizen have crafted their most singular work to date completely on their own terms—proving that only the band themselves can define their identity.

Since forming in 2009, Citizen—vocalist Mat Kerekes, guitarist Nick Hamm, and bassist Eric Hamm—have endlessly pushed themselves with each successive release, actively resisting the comfort zones that often plague bands as they grow. The band has fearlessly taken risks with their sound on each new album, and shown themselves capable of exploring impassioned post-hardcore, raw noise rock, shimmering indie pop, anthemic alternative, and more—often on the same album, and sometimes even the same track. But growth isn’t always painless, and the band has been navigating the fraught music industry from a young age—learning as they went and sometimes feeling pulled in different directions at once.

When it came time to make Life In Your Glass World, Citizen’s need to continue moving forward creatively went hand in hand with their desire to be fully in control of their creative destiny. Nick Hamm explains: “I don’t have a lot of regret but there have definitely been times when we felt powerless during the band’s existence. This time we really owned every part of the process. It’s easy to feel like you’re on autopilot when you’re in a band, but that’s not a good place to be this far into our existence. We consciously knew we wanted to break free.”

For Citizen that meant taking the entire album-making process home to Toledo (the Glass City) and creating everything in-house. Kerekes built a studio in his garage, a project that was both empowering and practical. “It’s super easy and convenient,” he says. “But I also felt like building the studio was a way to prove we don’t need anything but ourselves.” Hamm adds, “This is the first self-sufficient Citizen record. There was no pressure at all and moving at our own pace allowed the songs to be a little more fleshed out.” The looser recording process afforded the band time to focus on each song’s individual mood, making their signature blend of aggression and melody all the more pronounced, and even capturing appealing imperfections. The result is an album that represents the members’ vision in its purest form, something that feels distinctly Citizen while also marking the start of a fresh chapter.

One of the most immediately striking elements of Life In Your Glass World is the band’s attention to rhythm. Many of the songs feature undeniably danceable beats and sharply grooving guitar lines, which give both the barnburners and the brooding atmospheric tracks a pulsating heart. “When you write songs the same way for X amount of years, you start to want to try something new,” Kerekes says. “These songs were mostly built from drums and bass first, which was different for us. I’d start with a completely different beat every time to get a certain energy.” The band’s desire to assert themselves is palpable both in the music and Kerekes’ lyrics, mirroring not only their creative frustrations but also a long year of personal upheavals. “There’s a lot of anger in these songs and we wanted the music to communicate that,” Hamm says. “I think a lot of people expect bands to slow down or chill out when they get to where we are, but we consciously didn’t want to do that.”

The opening one-two punch of “Death Dance Approximately” and “I Want To Kill You” exemplifies the acerbic-yet-buoyant feel of Life In Your Glass World, and the latter sums up the album’s defiant themes. Kerekes puts it plainly: “Sometimes you feel like you’re being used. A lot of the lyrics are liberating, they’re reclaiming control.” The band wastes no time in showing their range, pivoting to the melancholy haze of “Blue Sunday” and the bounce of “Thin Air,” both of which meditate on the struggle to invest so much in something only to be let down and retreat inside oneself instead. Elsewhere tracks like “Call Your Bluff” and “Black and Red” showcase Citizen’s knack for big choruses, while “Pedestal” features towering drums and a distorted bass line that’s as malevolent sounding as Kerekes’ vitriolic words. “Fight Beat,” with its tense mix of otherworldly menace and memorable hooks, takes the band’s rhythmic-centric writing to its furthest point yet; lyrically, the song grapples with the realization that one has passed a point of no return, a sentiment that permeates the attitude of Life In Your Glass World. “This isn’t a baby step,” Hamm says. “It’s exactly what we want to do.”

Much of Life In Your Glass World deals with the bleak and challenging aspects of being human, and the album often feels like an exorcism of pent up negative feelings. But those feelings give way to a sense of hope with the closing track “Edge of The World.” Interweaving guitars rise around Kerekes’ voice as he considers past pain with the kind of clarity that can only come from time and distance—and finds promise in looking towards the future. The song builds to a soaring finale as the clouds part and Kerekes declares, “At the end of the day there was beauty in tragedy.” It’s one last turn, the kind of affirmation that makes you reexamine everything you just heard with a newfound perspective. It’s a fitting conclusion for Life In Your Glass World – borne of the confidence gained through years of trials, tribulations, and self reflection – and one that asserts that Citizen’s true identity is rooted in the raw energy of constant evolution.

1. Intro 
2. Say the Name 
3. Wytchboard (Interlude) 
4. '96 Neve Campbell (feat. Cam & China) 
5. Something Underneath 
6. Make Them Dead 
7. She Bad 
8. Invocation (Interlude) [with Greg Stuart] 
9. Pain Everyday (with Michael Esposito) 
10. Check the Lock 
11. Looking Like Meat (feat. Ho99o9) 
12. Drove (Interlude) 
13. Eaten Alive (with Jeff Parker & Ted Byrnes) 
14. Body for the Pile (with SICKNESS)
15. Enlacing 
16. Secret Piece

In the horror genre, sequels are perfunctory. As the insufferable film bro Randy explains in Scream 2, “There are certain rules that one must abide by in order to create a successful sequel. Number one: the body count is always bigger. Number two: the death scenes are always much more elaborate—more blood, more gore. Carnage candy. And number three: never, ever, under any circumstances, assume the killer is dead.” Last Halloween, Los Angeles experimental rap mainstays Clipping ended their three-year silence with the horrorcore-inspired album There Existed an Addiction to Blood. This October, rapper Daveed Diggs, and producers Jonathan Snipes and William Hutson return with an even higher body count, more elaborate kills, and monsters that just won’t stay dead.

1. Impetus (Demo)
2. Pile Driver
3. Passive Restraints
4. Impetus
5. High Caliber Consecrator

Having achieved commercial success and plenty of critical acclaim, it may come as a surprise to some people to know that Clutch had a release on Earache Records way back in their early days, before the release of their first album. Now with their twelfth album Book of Bad Decisions in the can, Earache has brought back these early recordings on vinyl for the first time in over twenty-five years. Five tracks, including all three from the band's second ever single "Passive Restraints" which remains a key part of their set list to this day, as well as the track "Pile Driver," previously only available on the extremely rare 12" edition of Clutch's first ever single way back in 1991.

1. Where Are They Now
2. Riot Squad
3. Working
4. Take 'Em All
5. We're Coming Back
6. Watch Your Back
7. I Got Your Number
8. Secret Army
9. Droogs Don't Run
10. Out On An Island

"Shock Troops" is the debut album by punk rock band Cock Sparrer released in 1982 on Razor Records. Now available through Pirates Press Records, this pinnacle record is something that should be available and affordable to everyone looking to invest in some punk roots. For the kids... a true punk classic.

Track Listing: 
01. Ignorance is Surely Bliss
02. March of the Maggots
03. Raping the Willing

Formed in 1991 by then Disrupt guitarist Terry Savastano, Grief’s style of “extreme doom” was seminal to all things slow, doom, and sludge to follow. For more than a decade, Grief would release several EP’s, splits, full lengths, and compilations before calling it quits. Fast forward to January 2016, Terry’s new version of Grief, featuring new members (including former Grief drummer Chuck Conlon), played their first show as “Come to Grief”. Since then, Come to Grief have toured all over the United States, Canada and Europe, as well as released 'The Worst of Times' EP, a split release 'Take Me In My Sleep / Contusion' with Fistula, and the new EP, 'Pray for the End' released February 14, 2020. Come to Grief are currently working on their debut full length titled “When the World Dies”, to be released late 2020 / early 2021.

1. Conjurer - Blood and Thunder (Mastodon)
2. Conjurer - Vermillion (Slipknot)
3. Palm Reader - Tire Me (Rage Against The Machine)
4. Palm Reader - Circles (Thrice)

There are numerous examples throughout history of cover songs revamping genre classics, whether it be with a modern and contemporary twist, or just paying tribute to an old favourite. With this in mind, over at Holy Roar HQ, we’re beaming with excitement to announce that Conjurer and Palm Reader have teamed up for a split release.

Boasting four tracks with two covers each, both bands tactfully pay tribute to some of the acts that introduced them to heavier sounds whilst simultaneously imprinting their own distinctive brands of noise to their selected songs. Conjurer tackle Slipknot’s ‘Vermillion’ and Mastodon’s ‘Blood and Thunder’ with blood thirsty metallic zeal, whereas Palm Reader caustically make Rage Against The Machine’s ‘Tire Me’ and Thrice’s ‘Circles’ entirely their own.

It’s sometimes easy to forget that outside of their respective discographies and relentless touring, both sets of musicians are first and foremost ardent heavy music fans. If nothing else, this small but mighty collection of covers is built precisely with the purpose of reimagining and recapturing that first listening experience of a beloved song.

1. Consumed 07:25
2. Breaking the Broken 05:40
3. Expect the Unexpected 07:16
4. What If... 04:29
5. When the Link Becomes Missing 05:15
6. Believe 06:09
7. Cut Down 04:50
8. The Fragile Art of Existence 09:38

CONTROL DENIED, the progressive heavy metal brainchild of legendary DEATH mastermind Chuck Schuldiner, released its first and only album The Fragile Art Of Existence (1999) to massive critical acclaim. The Fragile Art Of Existence is the sound of traditional metal stepping into a new century; an album where the experiences and inspirations of trail-blazing, world-class musicians coalesced under the watchful eye of one of the genre's master craftsmen.
Now available for the first time ever as an official vinyl release, The Fragile Art Of Existence has been remastered and beautifully repackaged.

1. Fugue en Sol Mineur 06:01
2. “zÑ5♦mı 03:45
3. L'Odyssée Hyperpropulsée 06:52
4. Involution - Expectations 06:18
5. Note Anticosmique 05:13
6. Neo Habilis 05:59
7. Le Roi Zogue 04:14
8. La Brèvité de l'Aphélie 03:41
9. Atlantis 11:20
10. Éthernellement 10:33

Hailing from the murky depths of Brittany, CREATURE has been working actively at crafting some of today's most exciting, forward-thinking and unique metal music. With already two self-released albums under its belt (“Inquiétudes” in 2018, and “Contes Funèbres” in 2019) in less than a year of existence, the band returns with a new full-length, “Ex Cathedra”, an eccentric work exuding art and culture from each groove.

The project of sole member Raphaël Fournier, CREATURE is a mighty, undefinable and slightly worrying beastly entity with ever shifting and blurry contours which leave the flabbergasted listener in awe. Rooted in the avant-garde and symphonic black metal from the 90s as much as it is in classic epic prog, CREATURE's music is intrepid and elegant, not bound by any genre, rule nor norm. Taking cues also from Baroque, 60s-80s French pop, classical music, fanfare, French poetry and a whole life of listening to music of all kinds, Fournier's brew features intricate orchestrations of inventive guitars, thunderous rhythms, heavy bass, majestic keyboards, horns and choirs. His work truly carries the stigmas of a Leonardesque genius applied to a musical score, because of the constant tension between an exuberant creative research and an evident love for classical canons of ideal beauty and formal perfection.

Despite the meticulous arrangements and the complex geometric shapes exhibited, “Ex Cathedra” is surprisingly coherent and by no means a collage of sounds, nor a genre-hopping mess. Fournier has digested all of his influences to create his own progressive black metal style, his spectacular songwriting holding everything together in a natural way. Accompanied by soul-clenching lyrics, the music breathes, expands and contracts before soaring to unexpected heights, towards an oneiric hyperuranion where gorgeous melodies and atmospheres of cosmic beauty await.
Alternately energetic, thrilling, poetic and melancholic (often all at once), CREATURE's “Ex Cathedra” stays always surprising and inebriating, with a sense of grandeur pervading it all.