Full Of Hell

1. Deluminate 01:12
2. Branches Of Yew 00:50
3. Bound Sphinx 01:24
4. The Cosmic Vein 02:12
5. Digital Prison 00:41
6. Crawling Back To God 02:07
7. Fractured Quartz 00:40
8. Gnawed Flesh 02:51
9. Ashen Mesh 01:44
10. Trumpeting Ecstasy 03:15
11. At The Cauldron's Bottom 06:23

Maryland/Pennsylvania experimental death-noise band FULL OF HELL have embarked on quite the journey leading up to the impending release of their latest full-length album “Trumpeting Ecstasy”, an album which will see the band deliver their most punishing, virulent, and dynamic album to date.

The embryonic beginnings of Full of Hell displayed their palette at it’s most primitive, d-beat and blast ridden hardcore punk with spats of noise and caustic rhythm, and within a few short years, they have bloomed into a true force to be reckoned with within the punk and metal communities. Since the release of their Profound Lore Records debut album “Full Of Hell & Merzbow” late 2014, their third full-length album, the band began to truly come into their own, combining elements of grindcore, death/black metal, punk and hardcore with a smattering of sonically laden power electronics and industrial pounding. It would also signal the band being at their most active and prolific ever since their inception in 2009.

The band would tour endlessly non-stop in different parts of the world in places as far off as Japan, Australia (twice), Southeast Asia (Indonesia, Philippines, South Korea etc.), along with several tour runs in Europe and many tour jaunts within the US, along with playing countless festivals and exclusive shows. The band would also add to their repertoire and discography as well during said timeframe releasing a direct collaboration album with The Body and several EPs, one of them being their most-recent split 7”EP with Nails (which debuts #2 on the Billboard Top 100 Singles Chart).

With “Trumpeting Ecstasy”, FULL OF HELL build upon their progression since the Merzbow collaboration and the releases succeeding it. This time the band decided to go into God City Studios with Kurt Ballou at the production helm to help achieve the intended vision of “Trumpeting Ecstasy”. The result being the best and strongest sounding FULL OF HELL album along with it being their most towering release to date. Sky tearing and sonically cataclysmic, the aural deluge that is “Trumpeting Ecstasy” also features guest appearances by Aaron Turner (Sumac/Old Man Gloom/Mamiffer/Isis), Nate Newton (Converge/Old Man Gloom), Andrew Nolan (Column Of Heaven/The Endless Blockade), and Canadian singer/songwriter Nicole Dollanganger. Expect FULL OF HELL to tour relentlessly in support of “Trumpeting Ecstasy” as well.

01. One Day You Will Ache Like I Ache
02. Fleshworks
03. The Butcher
04. Gehorwilt
05. World of Hope and No Pain
06. Himmel und Hölle
07. Bottled Urn
08. The Little Death
09. Cain
10. Abel

The Body was formed in 1999 in Little Rock, Arkansas. Since inception, their output has been massively prolific and their sound uncategorized and unmatched. The duo writes and acts as one, a deafening wail against a failing species.

Full of Hell was formed in 2009 in Ocean City, Maryland. In similar ethos, the band has remained prolific and relentless since and has continued to challenge themselves, channeling sounds from across the spectrum of extreme music into a nihilistic wall of oppressive sound.

Through their own respective recordings, both The Body and Full Of Hell are internationally-revered as forward-thinking entities of extreme music, delivering their musical torment through incredibly intense and often unorthodox methods. The Body’s 2010 released "All The Waters Of The Earth Turn To Blood" sophomore LP remains one of the band’s prolific high points and one of the most groundbreaking and frightening albums in recent times. Their subsequent releases, including several LPs and more for Thrill Jockey have continued to expand upon this seminal release. Similarly, Full Of Hell rapidly became a favorite amongst hardcore, grind, death and noise metal fans immediately upon their formation with an incredibly energetic and destructive live attack. Their 2013-released "Rudiments Of Mutilation" sophomore LP solidified them as one of the most damaging new acts out there, and since its release the band’s intensity and hunger for experimentation has magnified immensely.

Both bands are proven collaborators, relishing the results of collective efforts to create life-numbing constellations of distortion and depravity. The two members of The Body have joined forces with arcane producer The Haxan Cloak for "I Shall Die Here", Louisiana’s darkest sludge troupe Thou for "You, Whom I Have Always Hated", as well as "Nothing Passes" with Braveyoung, and a myriad of splits with artists as diverse and detesting as Australia’s Whitehorse, Japan’s Vampillia and Sandworm, taking their virulent, insidious influence to unsuspecting destinations across the globe. Full of Hell made a big impression with 2014’s two-part alliance with internationally feared noisemonger Merzbow, which resulted in the Full of Hell & Merzbow LP and the subsequent Sister Fawn EP. Their discography is littered with noise-soaked demos and splits that wrench Full of Hell in to fresh dimensions of heaviness and extremity, and their constant live actions never cease to stun.

Both acts are unstoppable tour machines, and earlier this year they joined forces for a massive North American tour, and amidst the chaos, in May they found time to record together at Machines With Magnets in Providence, Rhode Island. The session has culminated into One Day You Will Ache Like I Ache, the debut collaborative record created by The Body and Full Of Hell. It is ultimately a reflection of their surroundings and their inability to cope therein.